21.0 × 28.2cm
Illustrations in color
German / English
Sandro Droschl, Künstlerhaus, Halle für Kunst & Medien, 2017
With texts by:
Helmut Draxler, Kerstin Stakemeier
Exhibition views by:
Sternberg Press, Berlin
This publication has been supported by Stephan Dillemuth, authors, lenders, partners, and the team of Künstlerhaus, Halle für Kunst & Medien
We have received your order and it is being processed now. You will receive a payment confirmation by e‑mail shortly.
If you have any questions about your order, don’t hesitate to get in touch at email@example.com.
The catalog was published on the occasion of the exhibition Schall und Rauch – eine Revue in Bildern (4.22.2017 – 6.11.2017) at Künstlerhaus, Halle für Kunst & Medien.
This publication documents for the exhibition newly conceived and site-specific works by Stephan Dillemuth, hand in hand with some older works from the 1980s. In the exhibition, the artist created a new way of presenting his oeuvre, setting up site-specific scenes that have a certain theatricality, as well as an alluring effect. Questions about the role of the artist in society and the artistic means employed in his practice are put up for debate. For Dillemuth, art has the potential not only to reflect upon social changes, but to trigger them as well.
studied at the art academies in Nuremberg, Düsseldorf and Munich. Up to 2020 he taught as a professor in the art education department at the Academy of Fine Arts in Munich. From 1990 – 1994 Dillemuth ran the space Friesenwall 120 in Cologne together with Josef Strau, Nils Norman, Merlin Carpenter and Kiron Khosla. From 1997 onwards, the collaboration with Werner von Delmont resulted in various appearances and the publication “Corporate Rokoko.” Since 2000 he has shown individual projects at American Fine Art, New York, the Secession, Vienna and Konsthall C, Stockholm, among others.