Diego Bianchi Errores Irreales
Celina Eceiza Ofrenda
Opening
Performance

Diego Bianchi, Accessory Body, 2022
Celina Eceiza, Ofrenda, 2024
Semi-soft sculpture, foam, iron, textiles, pigments, paint, and sneakers, c. 150 × 120 × 100 cm, courtesy of the artist and Galerie Jocelyn Wolff,Paris, photo: Gustavos Sosa Pinilla; Installation view courtesy of Museo de Arte Moderno de Buenos Aires, photo: Guido Limardo
The current exhibitions focus on the vibrant Argentinian art scene. Diego Bianchi and Celina Eceiza each deal specifically with their environment in Buenos Aires and modified traditions of Argentinian art history. Starting from reinterpretations of sculpture and the subtlety of craftsmanship, their works have now developed into large-scale, space-consuming installations. Bianchi will transform the upper floor of the HALLE FÜR KUNST into a performative stage for sculptures characterized by both subtle irony and dystopian tension. With her “soft museum,” Eceiza has opened up a walk-in, sensually charged space in which her paintings, batiks, and textile collages combine visual, haptic, and multisensory experiences.
Diego Bianchi (born 1969 in Buenos Aires, lives in Buenos Aires) is one of Argentina’s most important contemporary artists. In his exhibition Errores Irreales, Bianchi has created an expansive stage-like installation, in which sculptures made partly from found everyday objects and waste materials play out in the space. Human and non-human bodies are the central motifs of his exhibition: vulnerable, malleable, and socially and technologically influenced. Bianchi develops hybrid, cyborg-like figures and landscapes that can be activated performatively. He uses humor as a means of responding to crises, consumer excesses, and transience. On the opening day and on other dates, the setting of the exhibition will be activated by a performance.
In cooperation with the Museo de Arte de Buenos Aires, HALLE FÜR KUNST Steiermark is presenting the first solo exhibition in Europe by Argentine artist Celina Eceiza (born 1988 in Tandil, lives in Buenos Aires). Her exhibition, titled Ofrenda, transforms the architecture of the institution into a color-intensive, organic “soft museum.” Hundreds of meters of fabric, collages, and sculptural elements cover the space, turning it into an immersive, haptically experiential Gesamtkunstwerk. Eceiza combines body images, natural motifs, and mythical references with alternative readings of South American modernism, drawing on countercultural artistic practices in Argentina since the 1960s. With Ofrenda, she gives the audience a poetic yet powerful experience that conveys confidence, joie de vivre, and a new awareness of the social dimension of the body.
The artists will be present during the opening. Diego Bianchi will give a performance.
Performers: Shiva Abossedgh, Sam Beukeboom, Barbara Eglseer, Gea Gračner, Reina Harriet Gujer, Anna Mayor, Jonas Meiberg, Mariella Müller, Laci Sárkány, Emilie Willner
Artists
Participating artists
Diego Bianchi
Solo exhibitions (selection): Galerie Jocelyn Wolff, Romainville (2025), New Performance Turku Biennale, Turku (2023), Museo abandonado, Dakar (2023), Marres, Maastricht (2023), Centro de Arte Dos de Mayo, Madrid (2022), Galerie Jocelyn Wolff, Romainville (2020), 11th Liverpool Biennial (2020), BIENALSUR, Córdoba (2019), BIENALSUR, Valparaíso (2017), Centro de creación contemporain, Madrid (2017), Museo de Arte Moderno, Buenos Aires (2017), Barro Gallery, Buenos Aires (2016), Wiener Festwochen (2015), Centro de Arte Experimental, Buenos Aires (2015), Centro Cultural Recoleta, Buenos Aires (2010), Fondo Nacional de las Artes, Buenos Aires (2009), Centro Uno de Arte Contemporáneo, Rio Negro (2007).
Group exhibitions (selection): ARCOmadrid (2025), MAC VAL, Vitry-sur-Seine (2024), Pivô, São Paulo (2024), macLYON, Lyon (2024), Bienal de Coimbra, Portugal (2024), Galerie Jocelyn Wolff, Romainville (2024, 2023), Marres, Maastricht (2023), CAPC, Bordeaux (2023), Centre Pompidou, Metz (2022), Musée de la Haute Vienne Château de Rochechouart (2023), Museo Nacional de Bellas Artes, Buenos Aires (2021), Centre d’art contemporaine de Normandie (2018), Centro Cultural Kirchner, Buenos Aires (2017), MALBA, Buenos Aires (2015), Museo Arte Moderno Cuenca (2015), 13th Istanbul Biennial (2013), Museo de Arte Contemporáneo de Niteroi, Río de Janeiro (2007), 11th Biennale de Lyon (2012), X. Bienal de la Habana, Havanna (2009).
Celina Eceiza
Solo exhibitions (selection): Museo de Arte Moderno de Buenos Aires (2024), Moria Galería, Buenos Aires (2023, 2021, 2018), Mundo Dios, Mar del Plata (2023), Móvil arte contemporáneo, Buenos Aires (2019), Jamaica ATR Gallery, Rosario, Argentina (2019), Big Sur Galería, Buenos Aires (2015).
Group exhibitions (selection): Istanbul Biennial (2025), Móvil arte contemporáneo, Buenos Aires (2024), Bienal de Arte Textil, Sede Centro Cultural CEINA, Santiago de Chile (2023), UB-Anderson Gallery, Buffalo (2022), Microespacio Museo Petorutti, La Plata (2022), Museo del traje de Buenos Aires (2022), Bemis Center for Contemporary Arts, Omaha (2021), Galería Belgrado, Buenos Aires (2021), Athens Institute for Contemporary Arts, Georgia (2021).

Diego Bianchi, Accessory Body, 2022
Celina Eceiza, Ofrenda, 2024
Semi-soft sculpture, foam, iron, textiles, pigments, paint, and sneakers, c. 150 × 120 × 100 cm, courtesy of the artist and Galerie Jocelyn Wolff,Paris, photo: Gustavos Sosa Pinilla; Installation view courtesy of Museo de Arte Moderno de Buenos Aires, photo: Guido Limardo