Systems of BeliefJordan Belson, Harm van den Dorpel, Storm de Hirsch, Antonia De La Luz Kašik, Richard Kriesche, Paul Laffoley, Irina Lotarevich, Lee Scratch Perry, Marta Riniker-Radich25.9.2022–8.1.2023
Exhibition
Downloads
3 Files
- Invitation card Systems of Belief PDF (805 KB)
- Pressetext Systems of Belief PDF (127 KB)
- Press text Systems of Belief PDF (89 KB)
Images
37 Files
Storm de Hirsch, THIRD EYE BUTTERFLY, 1964
16mm film, digitalized, color, sound
10 min.
Film still
Courtesy The New American Cinema Group, Inc./ The Film-Maker’s Cooperative, New York
Photo: kunst.dokumentation.com
Storm de Hirsch, THIRD EYE BUTTERFLY, 1964
16mm-Film, digitalisiert, Farbe, Ton
10 Min.
Filmstill
Courtesy The New American Cinema Group, Inc./ The Film-Maker’s Cooperative, New York
Photo: kunst.dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Paul Laffoley, Pistis Sophia, 2004 – 2006
Oil an acrylic paint, vinyl press type, India ink, photo-collage on linen canvas with velvet drapes and magic mirror
264 x 151, 8 x 16,5 cm
Courtesy KENT FINE ART, Ridgewood, New Jersey
Photo: kunst-dokumentation.com
Paul Laffoley, Pistis Sophia, 2004 – 2006
Oil an acrylic paint, vinyl press type, India ink, photo-collage on linen canvas with velvet drapes and magic mirror
264 x 151, 8 x 16,5 cm
Courtesy KENT FINE ART, Ridgewood, New Jersey
Photo: kunst-dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Richard Kriesche, Artsat-Space Message Sculpture , 1991
Gold, acrylic glass, veneered wooden construction
22,5 x 31 x 190 cm
Courtesy the artist
Photo: kunst-dokumentation.com
Antonia De La Luz Kašik, Zyklop (1−7), 2022
with Andi Gruber,
16 mm film, digitized, 7 min.;
silkscreen Teleidoskop (1−30), 70 x 50 cm;
optical devices partly mirrored, each 12 x 12 x 42 cm
Courtesy the artist
Photo: kunst-dokumentation.com
Antonia De La Luz Kašik, Zyklop (1−7) (detail), 2022
with Andi Gruber,
16 mm film, digitized, 7 min.;
silkscreen Teleidoskop (1−30), 70 x 50 cm;
optical devices partly mirrored, each 12 x 12 x 42 cm
Courtesy the artist
Photo: kunst-dokumentation.com
Antonia De La Luz Kašik, Zyklop (1−7) (Detail), 2022
with Andi Gruber,
16 mm film, digitized, 7 min.;
silkscreen Teleidoskop (1−30), 70 x 50 cm;
optical devices partly mirrored, each 12 x 12 x 42 cm
Courtesy the artist
Photo: kunst-dokumentation.com
Lee Scratch Perry, 2022
Exhibition view
All works courtesy The Visual Estate of Lee Scratch Perry / suns.works, Zurich
Photo: kunst.dokumentation.com
Lee Scratch Perry, 2022
Exhibition view
All works courtesy The Visual Estate of Lee Scratch Perry / suns.works, Zurich
Photo: kunst.dokumentation.com
Lee Scratch Perry, 2022
Exhibition view
All works courtesy The Visual Estate of Lee Scratch Perry / suns.works, Zurich
Photo: kunst-dokumentation.com
Harm van den Dorpel, Markov’s Dream, 2022
Softenon (II); Hedphelym; Orb; Keta
Four out of a series of 32 generative animations
Minted as ERC-721 NFT, on EIZO square screen
Courtesy the artist & Collection Hammerline; Collection Abosch; Collection Frans van Akkerveeken; Upstream Gallery, Amsterdam
Photo: kunst-dokumentation.com
Harm van den Dorpel, Markov’s Dream, 2022
Softenon (II); Hedphelym; Orb; Keta
Four out of a series of 32 generative animations
Minted as ERC-721 NFT, on EIZO square screen
Courtesy the artist & Collection Hammerline; Collection Abosch; Collection Frans van Akkerveeken; Upstream Gallery, Amsterdam
Photo: kunst-dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Irina Lotarevich, Housing Anxiety 6, 2022
Aluminum, locks, keys, stainless steel screws
96,8 × 150,3 × 7 cm
Courtesy the artist
Photo: kunst-dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Marta Riniker-Radich, Little Shop of Horrors, 2011
Colored pencil on paper
21 x 29, 7 cm
Courtesy M3 collection, Geneva
Photo: kunst-dokumentation.com
Marta Riniker-Radich, A Sidekick Named Snake, 2018
Colored pencil on paper
21 x 29, 7 cm
Courtesy M3 collection, Geneva
Photo: kunst-dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Systems of Belief, 2022
Exhibition view
Photo: kunst-dokumentation.com
Paul Laffoley, True Liberation, 1963
Oil, acrylic and hand applied vinyl type
140 x 137 x 7.6 cm
Courtesy Kent Fine Art, Ridgewood, New Jersey
Jordan Belson, Chakra, 1972
Film, transferred to HD video, color, sound
Video still
Restored by and Courtesy Center for Visual Music, Los Angeles
Paul Laffoley, Pistis Sophia, 2004 – 2006
Oil and acrylic paint, vinyl press type, India ink, photo-collage on linen canvas with velvet drapes and magic mirror
264 x 151.8 x 16.5 cm
Courtesy Kent Fine Art, Ridgewood, New Jersey
Lee Scratch Perry in his studio (Blue Ark), 2019
Courtesy The Visual Estate of Lee Scratch Perry / suns.works, Zurich
Photo: Lorenzo Bernet
Irina Lotarevich, Housing Anxiety 6, 2022
Aluminium, locks, keys, stainless steel screws
96,8 x 150,3 x 7 cm
Courtesy the artist
Storm de Hirsch, THIRD EYE BUTTERFLY, 1964
16mm film, digitized, color, sound
10 min.
Courtesy The New American Cinema Group, Inc. / The Film-Maker’s Cooperative, New York
Harm van den Dorpel, Markov’s Dream, Keta, 2022
out of a series of 32 generative animations Minted as ERC-721 NFT, on EIZO square screen
Courtesy the artist & Upstream Gallery, Amsterdam
Antonia De La Luz Kašik, Zyklop (1 – 7), 2022
with Andi Gruber, 16mm film, digitized, 7 min.
Courtesy the artist
Marta Riniker-Radich, Untitled, 2008
Colored pencil and pencil on paper
21 x 29.7 cm
Collection Fonds cantonal d’art contemporain, Geneva