on affairsNoah Barker, Milena Büsch, Carolyn Lazard, Ghislaine Leung, Lorenza Longhi, Vera Lutz, Studio For Propositional Cinema, Sung Tieu28.1.–30.4.2023
Exhibition
Downloads
3 Files
- Invitation card on affairs PDF (286 KB)
- Pressetext on affairs PDF (76 KB)
- Press text on affairs PDF (97 KB)
Images
33 Files

Lorenza Longhi, Untitled (Particuliere 505 Pavillion), 2021
(detail)
collages: plexiglass, aluminum, rivets (13 × 33 × 1.5 cm each)
installed on mobile pavilion: magnetic plastic plates, magnets, ropes, cable ties, rivets (variable dimension)
Courtesy Weiss Falk, Basel & Zurich
Photo: kunst-dokumentation.com

Lorenza Longhi, Untitled (Particuliere 505 Pavillion), 2021
(detail)
collages: plexiglass, aluminum, rivets (13 × 33 × 1.5 cm each)
installed on mobile pavilion: magnetic plastic plates, magnets, ropes, cable ties, rivets (variable dimension)
Courtesy Weiss Falk, Basel & Zurich
Photo: kunst-dokumentation.com

Vera Lutz, Verdunkelungssystem, 2023
Curtain rails, aluminum
376 x 749 x 2,5 cm
Courtesy the artist; FELIX GAUDLITZ, Vienna
Photo: kunst-dokumentation.com

Vera Lutz, Verdunkelungssystem, 2023
Curtain rails, aluminum
376 x 749 x 2,5 cm
Courtesy the artist; FELIX GAUDLITZ, Vienna
Photo: kunst-dokumentation.com

Vera Lutz, Verdunkelungssystem (3), 2022
Curtain rails, aluminum
217 × 322 cm
Courtesy FELIX GAUDLITZ, Vienna
Photo: kunst-dokumentation.com

Sung Tieu, 51°28’29.1”N 0°04’55.6”W, 2019
HD video, sound
01:56 min.
Digital print
38 × 62 cm
Edition of 5 + 1 AP (# 1/5)
Courtesy the artist; Emalin, London
Photo: kunst-dokumentation.com

Sung Tieu, 51°28’29.1”N 0°04’55.6”W, 2019
HD video, sound
01:56 min.
Digital print
38 × 62 cm
Edition of 5 + 1 AP (# 1/5)
Courtesy the artist; Emalin, London
Photo: kunst-dokumentation.com

Noah Barker,_SFS_GM22, 2023
Wall painting, clear gloss varnish
Variable Dimension
Courtesy the artist; Fanta-MLN, Milan
Photo: kunst-dokumentation.com

Carolyn Lazard, Red, 2021
Two-channel video installation
10:15 min.
Courtesy the artist; Maxwell Graham Gallery, New York
Photo: kunst-dokumentation.com

Carolyn Lazard, Red, 2021
Two-channel video installation
10:15 min.
Courtesy the artist; Maxwell Graham Gallery, New York
Photo: kunst-dokumentation.com

Carolyn Lazard, Red, 2021
Two-channel video installation
10:15 min.
Courtesy the artist; Maxwell Graham Gallery, New York
Photo: kunst-dokumentation.com

Milena Büsch, Adel aktuell, 2022
Oil on magazine page
28 × 22 cm
Courtesy FELIX GAUDLITZ, Vienna
Photo: kunst-dokumentation.com

Milena Büsch, Auto Motor Sport, 2022
Oil on magazine pages, mounted on cardboard, frame of the artist
142,8 × 110,8 cm
Courtesy J. Patrick Collins; FELIX GAUDLITZ, Vienna

Studio for Propositional Cinema, Manual: The Camera of Disaster, 2022
Texts in 26 aluminum frames, mixed media
each 51,2 × 51,2 cm
Edition of 3 + 1 AP (# 3/3)
Courtesy the artist; Tanya Leighton, Berlin/Los Angeles
Photo: kunst-dokumentation.com

Studio for Propositional Cinema, Manual: The Camera of Disaster, 2022
Objects
Variable Dimension
Edition of 3 + 1 AP (# 3/3)
Courtesy the artist; Tanya Leighton, Berlin/Los Angeles
Photo: kunst-dokumentation.com

Studio for Propositional Cinema, Manual: The Camera of Disaster, 2022
Texts in 26 aluminum frames, mixed media
each 51,2 × 51,2 cm
Edition of 3 + 1 AP (# 3/3)
Courtesy the artists; Tanya Leighton, Berlin/Los Angeles
Photo: kunst-dokumentation.com

Studio for Propositional Cinema, Manual: The Camera of Disaster, 2022
Objects
Variable Dimension
Edition of 3 + 1 AP (# 3/3)
Courtesy the artist; Tanya Leighton, Berlin/Los Angeles
Photo: kunst-dokumentation.com

Ghislaine Leung, Browns, 2021
nstruction: All available walls painted brown at the height of the standard center of hanging pictures.
Edition 1 of 3+ 2 AP
Courtesy the artist; Maxwell Graham Gallery, New York.
Photo: kunst-dokumentation.com

Ghislaine Leung, Fountains, 2021
Score: A fountain installed in the showroom, which muffles the sound.
Edition 1 of 3 + 2 AP
Courtesy the artist; Maxwell Graham Gallery, New York
Photo: art-documentation.com

Ghislaine Leung, Fountains, 2021
Statement: A fountain installed in the showroom, which muffles the sound.
Edition 1 of 3 + 2 AP
Courtesy the artist; Maxwell Graham Gallery, New York
Photo: kunst-documentation.com

Sung Tieu
Top Wheel Sung Tieu Natal Chart, 12 Jul 1987, Sun 6:45am ICT Hai Duong, Vietnam,
20°56’N 106°20’E,
Bottom Wheel ICA London Natal Chart, 9 Feb 1948, Mon 8:30pm GMT London, UK,
51°30’N 0°10’E, Placidus, 2022
Stainless steel, engraved stainless steel, screws
38 x 50 x 1 cm
Courtesy of the artist and Galerie Barbara Weiss, Berlin

Sung Tieu
Top Wheel Sung Tieu Natal Chart, 12 Jul 1987, Sun 6:45am ICT Hai Duong, Vietnam,
20°56’N 106°20’E,
Bottom Wheel ICA London Natal Chart, 9 Feb 1948, Mon 8:30pm GMT London, UK,
51°30’N 0°10’E, Placidus, 2022
Stainless steel, engraved stainless steel, screws
38 x 50 x 1 cm
Courtesy the artist and Galerie Barbara Weiss, Berlin

Noah Barker,_SFS_GA22, 2023
5‑channel video
0:23 min.
Courtesy of the artists; Fanta-MLN, Milan
Photo: kunst-dokumentation.com

Noah Barker,_SFS_GA22, 2023
5‑channel video
0:23 min.
Courtesy of the artists; Fanta-MLN, Milan
Photo: kunst-dokumentation.com

Sung Tieu
Top Wheel Sung Tieu Natal Chart, 12 Jul 1987, Sun 6:45am ICT Hai Duong, Vietnam,
20°56’N 106°20’E,
Bottom Wheel ICA London Natal Chart, 9 Feb 1948, Mon 8:30pm GMT London, UK,
51°30’N 0°10’E, Placidus, 2022
Stainless steel, engraved stainless steel, screws
38 x 50 x 1 cm
Courtesy of the artist and Galerie Barbara Weiss, Berlin

Sung Tieu, 51°28’29.1“N 0°04’55.6“W, 2019
HD video, sound
1:56 min.
Edition of 5 + 1 AP (# 1/5)
Courtesy the artist and Emalin, London

Lorenza Longhi, Untitled (Particuliere 505 Pavillion), 2021
Collages: plexiglass, aluminium, rivets (13 x 33 x 1.5 cm each) installed on mobile pavilion: magnets plastic panels, magnets, ropes, cable ties, rivets (variable dimension)
Courtesy Oskar Weiss, Zurich
Photo: Massimiliano Rossetto

Carolyn Lazard, Red, 2021
2‑channel video installation
10:15 min
Edition of 5 + II AP
Still
Courtesy the artist and Maxwell Graham Gallery, New York

Studio for Propositional Cinema, Manual: The Camera of Disaster (I. What is darkness?), 2022
Aluminium frame with a glass lens and two gum dichromate prints made with cotton paper, gum arabic, potassium dichromate and pigments produced from oxidised copper scraps and a rubber tire from an automobile explosion
51.2 x 51.2 cm
Edition of 3 + 1 AP (#3/3)
Courtesy of the artist and Tanya Leighton, Berlin and Los Angeles
Photo: Noah Friebel