Panther Residencies
HALLE FÜR KUNST Steiermark is pleased to present, as part of its new program, the so-called Panther Residencies. Named after the dazzling mythical creature and heraldic animal of Styria, the program unites two grants for artists whose practice is in the field of contemporary art.
The focus is on the annual promotion of one international and one outstanding local position. In close exchange with HALLE FÜR KUNST Styria and the City of Graz, the guests are provided with project-specific support for their artistic work. In the course of the residencies, a new work is produced through research and exchange with local protagonists, which is presented within the exhibition program.
HALLE FÜR KUNST Steiermark sees itself as an initiator of diverse dialogues and would like to make local resources available to both international and local fellows in order to create the best possible living and working environment. At the same time, it is a concern of the institution to introduce new and relevant artistic voices to the diverse cultural and art scene in Graz as well as to the general public. Thus, guests are invited to present their practice in various public formats and to respond to the vibrant local art scene. Both residency formats are directly related to the thematic focus of the institution through their concrete connection to an exhibition.
The international fellowship is awarded by one of the two curators at the institution in the context of a project. The local fellowship is linked to a group exhibition and is announced through an open call.
STAGES
The STAGES format is as radical as it is simple. For one evening, the HALLE FÜR KUNST Steiermark provides a platform for artists from the surrounding area. A part of the exhibition hall will serve as a stage to learn more about the work of the artists. Our guest decides whether this will be realized through a performance, a lecture, a conversation, a screening or any other form of art.
2024
STAGES with Hanna Besenhard
Hanna Besenhard works with video, sound, sculpture, objects and documents as well as stamp cards or forged driver’s licenses, often combining several media. The focus is on time-based media apparatuses, their technological foundations and histories, as well as their representative and temporal dynamics. A recurring element in her work is the combination of classic organic materials such as marble, felt or animal skins with digital printing processes and video. She is not primarily concerned with the clash between these materials or with highlighting a contrast, but rather with condensing a larger narrative into a story. This is also Besenhard’s connection to the two exhibitions by Caroline Mesquita and Leon Höllhumer, which are currently on view at HALLE FÜR KUNST Steiermark.
For her interpretation of the STAGES format, Besenhard uses the title of the series as a starting point and develops an installation of stage elements that give space to existing works, while integrating a new video work. A single wedge of white Thassos marble tilts the stack of stage elements slightly upwards on one side. The concept of a stage and its distant history as a reference for time-based languages becomes an object. The tilted stack makes use of the nature of sequential media without a conventional temporal flow. The accompanying video work features two projectors, presented both as objects in themselves and as tools of representation. Together they form a rhythmic framework that arises from the transfer of analog derivatives to digital ones: an image of ab analogue projector is projected with a digital projector via a digital recording.
STAGES mit Patrick Winkler

STAGES Patrick Winkler
Installation view, HALLE FÜR KUNST Steiermark
Courtesy: the artist

Patrick Winkler, Display for Eternity, 2024
Romm intervention, wall paint on wall, 20 x 30 cm each
From left to right: Institutional White 001 FOTOGALERIE WIEN, Institutional White 002 Kunsthalle Wien, Institutional White 003 mumok, Institutional White 004 Secession, Institutional White 005 Belvedere 21
Courtesy: the artist

Patrick Winkler, In preperation for the installation shot, 2023
Institutional White 005, Belvedere 21
Pigment print, museum glass
44 × 40 cm
Edition 5 +2
Courtesy: the artist
The focus is on exploring an artist’s practice through a presentation of selected work, shown on site. The artists themselves can decide whether this presentation of their work takes the form of a short lecture, a performance or another format of their choice. Regarding the selection process, the artist should choose a work which reflects and expands on the current exhibition and its central themes.
Patrick Winkler’s practice focuses in particular on concepts of space and its perception. He examines spatial strategies and the manifestations of power relations with them, for instance in institutions, where the entanglement of public and private interests coalesce or are at least in a charged relationship.
Winkler has a similar interest concerning the relationships between sculpture, architecture and institution, and how hegemonies might be maintained or deconstructed here. His approach has involved collecting emulsion paints from various relevant Austrian and international institutions, such as the white wall paint of mumok in Vienna, and taking pieces of wall from institutions to make new works by reconstructing or writing on them. In doing so, he always references the history of the white cube and institutional critique.
STAGES with Jakob Kolb aka On Bells
Jakob Kolb has worked not only with painting and sculpture, but also repeatedly as a curator and, under the stage name On Bells, musically and performatively. For his evening at HALLE FÜR KUNST, Kolb has explored the theme of love songs and developed a musical performance. Old and new enter into a dialog, offering insights into the musical approach within the framework of a stage set and creating their very own emotional world. The setting for his performance is a mobile stage consisting of 4 LEDcurtains that will create an immersive visual situation.
STAGES Artist talk with Lisa Slawitz
Her flexing of muscles spreads the smell of vanilla pudding


Using painting as an object of knowledge, Lisa Slawitz is producing an alternative, visceral truth. Her practice focuses on the perception of mental and physical states; creating portraits of protagonists enrapt by experience. Slawitz is interested in psychology both in terms of the individual as well as the collective consciousness. She observes and reflects on themes such as relationships and sexuality within a patriarchal society, scrutinizing unconscious patterns, the simultaneity of emotions and both intersubjective and interobjective relationships in relation to herself.
The work Signing Reality, flat (2022), presented as part of STAGES could be seen from April 12 to 14 in the foyer of the HALLE FÜR KUNST.
2023
STAGES Artist Performance Bernadette Laimbauer

Bernadette Laimbauer, Permesso oder Bitte nicht lügen mit Handtuch, 2023
Courtesy the artist and Merel Noorlander

Bernadette Laimbauer, Permesso oder Bitte nicht lügen mit Handtuch, 2023
Courtesy the artist and Merel Noorlander
The nominee for the Open Call in fall 2023 is the artist Bernadette Laimbauer, who will create an evening for the STAGES format in December at the HALLE FÜR KUNST. Laimbauer combines elements of the performing and visual arts, and the medium of performance can contain surprising moments in the familiar. Reacting intuitively in the moment also plays an important role in her performances. She tries to discover the “humor in the seemingly tragic”.
STAGES Pop-up exhibition with artist Radula aka Anja Herzog

Anja Herzog, 2023
Exhibition view
Courtesy the artist
Photo: Jan Hasenauer

Anja Herzog, 2023
Exhibition view
Courtesy the Artist
Photo: Jan Hasenauer
STAGES Artist Lecture Helene Thümmel

Photo: Helene Thümmel

Photo from the project Wo ist Tito? TITO IN SITU, 2022
Photo: Helene Thümmel
Residency 2022

Antonia De La Luz Kašik, Zyklop (1 – 7), 2022
Exhibition view
Courtesy the artist
Photo: kunst-dokumentation.com

Antonia De La Luz Kašik, Zyklop (1 – 7)(detail), 2022
silkscreen Teleidoskop (1−30), 70 x 50 cm;
optical devices partly mirrored, each 12 x 12 x 42 cm
Courtesy the artist
Photo: kunst-dokumentation.com
From the submissions of the Open Call 2022, the artist Antonia De La Luz Kašik was nominated for the Panther Residency of HALLE FÜR KUNST Steiermark.
Antonia De La Luz Kašik
In the filmmaker’s work, the camera plays a central role as an apparatus. Through it, different visual worlds are connected or moved into one another. To this end, she explores the technical possibilities of analog cameras and film material. Following on from existing works, the artist is developing a new film for her participation in Systems of belief, which moves at the limits of the medium.
Optical constructions are attached to the camera, which, connected between the apparatus and the outside world, both transform the depicted reality and become part of the image themselves. In the process, kaleidoscopic visual worlds are created that mirror and abstract the gaze. Various practices of abstract and experimental forms of filmmaking play a central role in the exhibition and enable new perspectives on the understanding of technology, perception and the world. Therefore, the HALLE FÜR KUNST Steiermark is pleased to have nominated Antonia de la Luz Kašik, an artist for the Panther Residency who dedicates herself anew to these phenomena from a contemporary perspective.
Antonia de la Luz Kašik, born in Graz in 1993, studied graphic design and visual communication at the Universidad Mayor de San Simón in Cochabamba, Bolivia, and graduated from the Friedl Kubelka School for Independent Film in Vienna in 2018. She is currently studying video and video installation at the Academy of Fine Arts and working on her own artistic projects using the analog medium of film, as well as animation, drawing, printmaking and photography. As a cinematographer she works in collaboration with other artists, most recently for the performances of Eva Sommer and the feature film BEATRIX by Lilith Kraxner and Milena Czernovsky.
Internationale Residency 2021/22

Colin Self, Tip the Ivy, 2022
Performance
Photo: kunst-dokumentationen.com

Colin Self, Tip the Ivy, 2022
Performance
Photo: kunst-dokumentationen.com
For the first international Panther Residency at HALLE FÜR KUNST Steiermark, Cathrin Mayer has invited artist Colin Self to develop a new work for the performance series Give Rise to.
Colin Self
For Tip the Ivy Self selects the narrative framework of a prison where the inmates attempt to achieve freedom somewhere between reality and a world of dreams. One of the characters is less a real person and rather an avatar who communicates via the screen of a smartphone. This role was partly inspired by a number of real profiles of Tik Tok users, who share otherwise censored information in non-democratic countries by means of various sequences of movement, an example being make-up tutorials.
Tip the Ivy is a project that on the one hand emphasizes the positive power of queer communities on the basis of collaboration and shared work, and on the other hand enacts the bitter political realities of surveillance and censorship in the here and now in the form of an experimental opera. Self achieves this via a reinterpretation of the classical genre in which he sees voices and song as a collective force. For this he developed a new technique for group singing that he calls XOIR. The focus is not on reciting musical scores but on somatic awareness and the shared organization of bodies and voices.
Colin Self (*1987 Aloha, lives in Berlin) is a lecturer at NYU’s Clive Davis Institute in Berlin and has presented his work at the Dutch National Opera, Amsterdam; HAU Berlin; Neues Museum, Berlin; The Kitchen, New York; and Issue Project Room, New York; among many international festivals and venues. He is a Rhizome Commission Grant recipient and a Queer Art Mentorship Fellow. He is a co-founder of NYC queer performance collective Chez Deep and Radical Diva Grant.
Residency 2021

Nigel Gavus & İlkin Beste Çırak, It’s on a day like this…, 2021
16mm film on video, color, sound
16 min., filmstill
Courtesy the artists

Nigel Gavus & İlkin Beste Çırak, It’s on a day like this…, 2021
16mm-film on video, color, sound
16 min., filmstill
Courtesy the artists
From the 2021 Open Call submissions, the artist duo Ilkin Beste Cirak and Nigel Gavus has been nominated for the Panther Residency of HALLE FÜR KUNST Steiermark.
Ilkin Beste Cirak und Nigel Gavus
Coming from different backgrounds and currently working as an artist duo, Ilkin Beste Cirak and Nigel Gavus seek a synthesis of different media: poetry, film, literature, sculpture and space are their fields of exploration. Their work is clearly structured and multi-layered. Their common goal is to translate invisible themes into a visual language and to question the role of visual “codes” in our society. Their collaboration addresses identity and belonging, as well as spatial design in the manner of relational art and aesthetics. Their first cinematic collaboration Letters from a Window, premiered at Diagonale 21′ and won the audience award for the most popular Austrian short film under ten minutes at the Vienna Shorts Festival.
In the context of Domestic Drama, the artist duo will produce a new film that combines the themes of the exhibition with the specific setting of the city of Graz.
Ilkin Beste Cirak, born in 1994 in Izmir (TR), is a visual artist and poet. She is a graduate of the University of Applied Arts (Social Design) and is currently studying Sculpture & Spatial Strategies at the Academy of Fine Arts Vienna. Starting from public spaces as the core of coexistence, she deals with localities, identity, cultural production and participation. She lives and works in Graz and Vienna.
Nigel Gavus, born 1992 in Graz, is a filmmaker and visual artist. He graduated from the Friedl Kubelka School for Independent Film and is currently studying at the Academy of Fine Arts Vienna. In his work he deals with time, memory, identity and the relationship between poetry and cinema. He lives and works in Vienna and Graz.