Introduction Louise Giovanelli
Louise Giovanelli: A Song of Ascents
Louise Giovanelli paints striking hypnotic works that radiate light, both visually and metaphorically. Her works often show mysterious objects, such as a closed curtain, a gleaming shock of hair, or the ref lecting surface of a cocktail glass through which we see human figures. The people she depicts, often women, seem caught in moments between awe and desperation, or about to cross over a border of experience and knowledge. They are intentionally left ambiguous, and can be associated with the vagueness of memory or a half-forgotten dream.
The title A Song of Ascents is taken from a series of religious psalms that were traditionally recited by pilgrims on their travels to holy sites. For Giovanelli, the idea of an “ascent” reflects our human longing to attain higher states of consciousness, whether through spiritual devotion, sensuality, or love, and also states of intoxication, the thrill of performance, or just horror. This journey to a transcendent consciousness unfolds in her paintings as an uncanny melding of emotions in which exaggerated expression, richly layered textures, and intensive color-rich images engender both ecstasy and discomfort.
This exhibition presents ten new paintings created especially for the occasion, alongside numerous older works. Many of the works are inspired by scenes from f ilms, while some of the more recent paintings were made on the basis of photographs that the artist took in working-class clubs and theaters in England. These places, which are often characterized by modest stages, worn velvet curtains, and a strange mix of everyday lightness and staged theatrics, are transformed by the artist into venues of shared performance and hedonistic escapism. Giovanelli emphasizes elements like the lavish curtains succumbing to the force of gravity, shimmering textiles with sequins, and focused spotlighting, in order to raise these familiar spaces to something extraordinary and to give them a sense of select value and of an almost religious cult, such as is often accorded to pop music and its holy places by its fans.
Certain details are particularly emphasized and play a key role, as if the artist is zooming in on her pictures in order to consider a curl of hair, a piece of furniture, or accessories in their formal and narrative features. This detailed focus on ephemeral elements juxtaposed with the hyper-realist and fantastic depiction is a key characteristic of Giovanelli’s work that takes her to the limits of what can be done in painting. She creates her resplendent works using the classical techniques of painting, applying thin layers of highly pigmented oil paint and thereby achieving very varied and almost sculptural results.
Giovanelli’s paintings invite us to cross a threshold where reality and fantasy meet, and to enter a space laden with ambiguity and in which each scene oscillates between the extraordinary and the uncanny.
A Song of Ascents is presented in cooperation between The Hepworth Wakefield (Yorkshire), Museum Villa Stuck (Munich), and HALLE FÜR KUNST Steiermark.
The exhibition A Song of Ascents will be accompanied by an English-language publication of the same name, edited by The Hepworth Wakefield, and available via HALLE FÜR KUNST Steiermark. This includes a text by Phoebe Cripps, a conversation with Louise Giovanelli and Marie-Charlotte Carrier, a response by Charlie Fox, and poems by Helenskià Collett, with reproductions and illustrations of the works shown in the exhibition on more than 80 pages.
Curators: Marie-Charlotte Carrier and Sandro Droschl