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Louise Giovanelli

*1993, London, lives in Manchester

Solo exhibitions (selection): Museum Villa Stuck, Munich (2025), TANK Shanghai (2025), GRIMM, New York (2025, 2023, 2021, 2020), Hepworth Wakefield, Yorkshire (2024), He Art Museum, Foshan (2024), White Cube, Hong Kong (2024), Moon Grove, Manchester (2023), GRIMM, Amsterdam (2020), Grundy Art Gallery, Blackpool (2022, 2016), White Cube Bermondsey, London (2022), Frutta Gallery, Rome (2019), Manchester Art Gallery, Manchester (2019), Workplace Foundation, Gateshead (2019), Warrington Museum and Art Gallery, Warrington (2019). 

Group exhibitions (selection): AkzoNobel Art Foundation, Amsterdam (2025, 2024, 2021), Green Family Art Foundation, Dallas (2025, 2022), Hastings Contemporary, Hastings (2024), Nasjonal Museet, Oslo (2024), The Courtauld Gallery, London (2024), Centraal Museum, Utrecht (2024), Hill Art Foundation, New York (2023), FLAG Art Foundation, New York (2023), CICA, Vancouver (2023), White Cube, Seoul (2023), Kasmin, New York (2022), Marlborough, London (2022), Hayward Gallery, London (2021), CLEARING, New York (2020), Air de Paris, Romainville (2020), Pablos Birthday Gallery, New York (2019), Arcade Gallery, London (2019).

Exhibition & Publication

Context

Louise Giovanelli and Marie-Charlotte Carrier
Artist Talk and Book Launch 

Video

On the occasion of her recently opened exhibition A Song of Ascents at the HALLE FÜR KUNST Steiermark, Louise Giovanelli will be in conversation with curator Marie-Charlotte Carrier. Carrier is a curator at the exhibition’s initiating partner organization, The Hepworth Wakefield (Yorkshire), where the exhibition was shown in advance. She is also the editor of the accompanying publication with texts, conversations and visual material on all the works on display. 

Louise Giovanelli, Marie-Charlotte Carrier

Louise Giovanelli
A Song of Ascents

Slide show

Louise Giovanelli paints striking hypnotic works that emit light both on a visual and metaphorical level. Her works often show mysterious objects, such as a closed curtain, a glimmering shock of hair, or the reflecting surface of a cocktail glass. There are also human figures, often women, seemingly caught in moments between awe and desperation, or about to cross over a border of experience and knowledge.

A Song of Ascents

Program