Intro
Europe: Ancient Future
Video
Please note that this video is available in German.
In this contribution Sandro Droschl gives a short introduction to the exhibition Europe: Ancient Future. The exhibition shows works by contemporary artists who refer to different concepts of Europe’s ancient past. These are examined with regard to their possible meanings for the present and future of Europe. In particular, the relationship between the individual and the group, which has been a recurring theme since antiquity, plays a major role. This relationship is illustrated by Sandro Droschl on the basis of the series Extremes Europa (2002) by Jutta Koether within the exhibition.
Sandro Droschl (*1970 Graz, lives in Graz) is founding director and curator of the institution HALLE FÜR KUNST Steiermark. From 2012 to 2020 he directed the Künstlerhaus, Halle für Kunst & Medien. Since 2000 he worked as curator, then also as director for the Kunstverein Medienturm, Graz, besides as guest curator at other institutions. He curated numerous exhibitions of contemporary art and edited over 30 publications. Droschl made a study Iregulare, “Body. Media. Art,” with art (Isabelle Graw, Free Class), philosophy, journalism and medicine at the University of Applied Arts Vienna, University of Vienna and London Guildhall University.
Artists
Participating artists
Sandro Droschl
is founding director and curator of the institution HALLE FÜR KUNST Steiermark. From 2012 to 2020 he directed the Künstlerhaus, Halle für Kunst & Medien. Since 2000 he worked as curator, then also as director for the Kunstverein Medienturm, Graz, besides as guest curator at other institutions. He curated numerous exhibitions of contemporary art and edited over 30 publications. Droschl made a study iregulare, “Body. Media. Art,” with art (Isabelle Graw, Free Class), philosophy, journalism and medicine at the University of Applied Arts Vienna, University of Vienna and London Guildhall University.
More contributions
Exhibition Tour
Diego Bianchi: Errores Irreales
Video
Diego Bianchi’s immersive sculptural installations reinterpret the concepts of sculpture and of the torso, taking seriously the sensitivity and distress of the human body as subjected to manifold pressures, and expanding and updating its forms of expression.
Exhibition Tour Diego Bianchi Exhibition Tour
Celina Eceiza: Ofrenda
Video
A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity.
Ausstellungsrundgang Celina Eceiza Annemarie Arzberger
dreamed awake
Slide show
For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.
Slide Show Annemarie Arzberger Diego Bianchi
Errores Irreales
Slide show
Diego Bianchi (*1969 Buenos Aires, lives in Buenos Aires) is considered one of Argentina’s leading artists and has, in particular, updated the concept of sculpture. For his installative and performative exhibition Errores Irreales at HALLE FÜR KUNST Steiermark, Bianchi has assembled a selection of his sculptures that play with the concept of the body.
Slide show Diego Bianchi Diego Bianchi
Errores Irreales
Performance
Slide show
Errores Irreales is only truly activated by the performance staged by Diego Bianchi himself in order to complete his theatrical installation, which takes physicality and its limits to a new level.
Diego Bianchi, Performance Celina Eceiza
Ofrenda
Slide show
Ofrenda [Offering] presents a way of inhabiting a space as if the architecture were a body, breathing erratically, changing states as you pass from one room to the next. The rigidity of the building collapses as the walls are draped in thousands of metres of fabric joined together through the collective and timeless action of sewing, until they form a single smooth surface, sensitive to the slightest change.
Slide show Celina Eceiza Abaseh Mirvali
Artistic Director, viennacontemporary
Video
The conversation between Abaseh Mirvali, director of viennacontemporary, and Sandro Droschl spans Diego Bianchi’s current exhibition and Celina Eceiza’s work in the context of Argentine art history to Mirvali’s many years of expertise and her international career. At the same time, her central role in the dynamic and innovative viennacontemporary 2025 was highlighted.
Abaseh Mirvali Talk Morning Séance
alias Simone Borghi
Video
Italian composer and sound artist Simone Borghi, alias Morning Séance, expands Celina Eceiza’s “soft museum” in her exhibition Ofrenda at HALLE FÜR KUNST Steiermark with his atmospheric, constantly changing music, using his musical performance to enable visitors to experience physicality, space, and perception in new ways.
Morning Séance alias Simone Borghi