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Exhibition Tour:
A Retrospective
Stano Filko 

Video

The video is available in English.

Curator:
Sandro Droschl

Texts:
Sandro Droschl
Tobias Ihl

Translation:
Greg Bond

Camera & Sound:
kun​st​-doku​men​ta​tion​.com, Manuel Carreon Lopez

Editor:
Kevin Ferdinandus

Artists

Participating artists

Stano Filko

*1937 Veľká Hradná, †2015 in Bratislava

The artworks of Stano Filko (*1937 Velka Hradna, †2015 in Bratislava) have been on show in renowned institutions such as the Slovak National Gallery, Bratislava; the Kunstmuseum Basel; Lentos Kunstmuseum, Linz; Kunsthalle Bratislava; Zacheta – National Gallery of Art, Warsaw; National Museum, Krakow; Fondazione Morra Greco, Naples; ZKM Zentrum für Kunst und Medien, Karlsruhe; Ludwig Múzeum, Budapest; Garage Project Space, Moscow; The New Museum of Contemporary Art, New York; P.S.1, New York; MACBA, Barcelona; Centre Pompidou, Paris; mumok, Wien; Kröller-Müller Museum, Otterlo; státna galléria (State Gallery), Banská Bystrica; Musée d‘Art Moderne, Paris; and Moravská galerie, Brno. His work attracted international attention amongst others at the 11. Biennale de Lyon, the Prague Biennale 3, the 51. Biennale di Venezia, the Documenta 7 in Kassel and the EXPO in Osaka. Gallery Emanuel Layr presented the artist at Frieze Art Fair London and at Art Basel.

More contributions

A.rtificial I.ntrospection O.
Exhibition Tour 

Slide show

The exhibition A.rtificial I.ntrospection O. (A.I.O.) explores questions of thought, perception, and subjectivity at the intersection of introspection, cybernetics, and artificial intelligence. Its point of departure is the work of the Austrian writer, cognitive psychologist, and cybernetician Oswald Wiener (1935 – 2021), whose genuine thinking since the 1950s critically navigated between these fields while systematically resisting institutional appropriation.

Slide Show A.rtificial I.ntrospection O.

Kathy Rae Huffman
FROM CYBERFEMINISM 
UNTIL NOW

Video

Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.

Kathy Rae Huffman 

Xol Meissner
Concert 

Video

New York-based artist Xol Meissner — the alter ego of composer Mauro Hertig — has transformed the HALLE FÜR KUNST Steiermark into a hypnotic soundscape of extraordinary intensity with his haunting music, which oscillates between contemporary classical and avant-garde rock.

Xol Meissner

Karin M. Schmidlechner 
Styrian women during and after National Socialism

Video

In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called rubble woman.”

Karin M. Schmidlechner 

Eva Ursprung
The Art of Surfacing

Slide show

Eva Ursprung, _Dock_, 2026

With the exhibition The Art of Surfacing, HALLE FÜR KUNST Steiermark presents the multifaceted work of Austrian artist, musician, and curator Eva Ursprung, who was awarded the Honorary Prize of the Province of Styria in 2024. Her cross-media, feminist, and socially critical approaches revolve around the element of water as a metaphor for change and political and ecological processes.

Slide show Eva Ursprung

Susanne Wenger
Àdùnní Olórìṣà

Slide show

Susanne Wenger gilt als eine zentrale Künstlerin Österreichs nach 1945 und als frühe Wegbereiterin des Surrealismus. Ihr Œuvre, das Skulpturen, Gemälde, Zeichnungen, Drucke und Batiken umfasst, überschreitet ästhetische Kategorien und verbindet Kunst, Spiritualität und Mythos. 

Slide Show Susanne Wenger