Isabel Lewis, Dirk Bell
Total Romance: Partial Repair
Performance
Slide show
The performance Total Romance: Partial Repair is the centerpiece of Isabel Lewis and Dirk Bell’s joint exhibition Ever/Repair at HALLE FÜR KUNST Steiermark, and will be performed by four performers. In collaboration with the two artists Lewis and Bell, the vocalist, performer and artist Rupert Enticknap and performer and pole dancer Yann Slattery will alter the newly adapted piece Maskarade (1970) by Sylvia Wynter in relation to the in-situ exhibition, by playing and interacting with it.
Image gallery of the performance
at the HALLE FÜR KUNST Steiermark, 2024
kunst-dokumentation.com
Artists
Participating artists
Isabel Lewis
Solo (a.o.): Galerie Wedding (2022, with Dirk Bell), Belvedere 21, Vienna (2021), Kunsthalle Zürich (2020), Gropius Bau, Berlin (2019), dOCUMENTA (13), Kassel (2013), MoMA PS1, New York (2010), New Museum, New York (2009); Shows (a.o.): Kunsthal Charlottenborg, Copenhagen (2023), 58. Biennale di Venezia (2019), 14th Sharjah Biennale (2019), Klöntal Triennale, Kunsthaus Glarus (2017) Tate Modern, London (2017), Kunsthalle Frankfurt (2017), Mofo, Contemporary Arts Tasmania, Hobart (2017), McaM Shanghai (2016), Palais de Tokyo, Paris (2016), Statens Museum for Kunst, Copenhagen (2016), Dia Art Foundation, New York (2016), Fondazione Sandretto Re Rebaudengo, Turin (2015), Gothenburg Biennial of Art (2015), Liverpool Biennale (2014), Kunsthalle Basel (2014), PS122, New York (2010)
Dirk Bell
Solo (a.o.): Galerie Wedding (2022, with Isabel Lewis), BQ, Berlin (2022, 2016), QBBQ’s, Berlin (2019), Gavin Brown’s Enterprise, New York (2016), The Fireplace Project, New York (2015), SVIT, Prague (2013), Pinakothek der Moderne, Munich (2011), The Modern Institute, Glasgow (2011), Schinkel Pavillon, Berlin (2009); Shows (a.o.): Kunsthal Charlottenborg, Copenhagen (2023), Kewenig, Berlin (2022), Bundeskunsthalle Bonn (2022), BravinLee Programs, New York (2021), 1969 Gallery, New York (2021), Halle am Berghain, Berlin (2020), Kunstmuseum Wolfsburg (2020), Sexauer Gallery, Berlin (2017), Halle für Kunst Lüneburg (2017), Haus Mödrath – Räume für Kunst, Kerpen (2017), Kunsthalle Bremerhaven (2016), Neuer Berliner Kunstverein (NBK) (2015), Witte de With Centrum voor Hedendaagse Kunst, Rotterdam (2014), GAK Bremen (2013), Kölnischer Kunstverein, Cologne (2011), Drawing Room, London (2010), Chelsea Art Museum, New York (2009)
More contributions
Michael Krebber in conversation with Sandro Droschl
Video
As part of the exhibition A.rtificial I.ntrospection O., Michael Krebber speaks with Sandro Droschl about his artistic practice and his engagement with the writings and conceptual models of Oswald Wiener.
Michael Krebber in conversation with Sandro Droschl A.rtificial I.ntrospection O.
Exhibition Tour
Slide show
The exhibition A.rtificial I.ntrospection O. (A.I.O.) explores questions of thought, perception, and subjectivity at the intersection of introspection, cybernetics, and artificial intelligence. Its point of departure is the work of the Austrian writer, cognitive psychologist, and cybernetician Oswald Wiener (1935 – 2021), whose genuine thinking since the 1950s critically navigated between these fields while systematically resisting institutional appropriation.
Slide Show A.rtificial I.ntrospection O. Dr. Brigitte Borchhardt-Birbaumer
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Video
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Brigitte Borchardt Kathy Rae Huffman
FROM CYBERFEMINISM
UNTIL NOW
Video
Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.
Kathy Rae Huffman Xol Meissner
Concert
Video
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Xol Meissner Karin M. Schmidlechner
Styrian women during and after National Socialism
Video
In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called “rubble woman.”
Karin M. Schmidlechner Eva Ursprung
The Art of Surfacing
Slide show
With the exhibition The Art of Surfacing, HALLE FÜR KUNST Steiermark presents the multifaceted work of Austrian artist, musician, and curator Eva Ursprung, who was awarded the Honorary Prize of the Province of Styria in 2024. Her cross-media, feminist, and socially critical approaches revolve around the element of water as a metaphor for change and political and ecological processes.
Slide show Eva Ursprung Susanne Wenger
Àdùnní Olórìṣà
Slide show
Susanne Wenger gilt als eine zentrale Künstlerin Österreichs nach 1945 und als frühe Wegbereiterin des Surrealismus. Ihr Œuvre, das Skulpturen, Gemälde, Zeichnungen, Drucke und Batiken umfasst, überschreitet ästhetische Kategorien und verbindet Kunst, Spiritualität und Mythos.
Slide Show Susanne Wenger