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Statements on affairs II.
Lorenza Longhi 

Video

The video is available in English

The new online series provides all who are interested with exciting insights into topics and questions about the artistic positions of the exhibitions. For the Artist-Statement, the artists are each asked five short questions, whereby new insights into their work emerge and a current reference to conceptual art is established. 

Lorenza Longhi (*1991 Lecco, lives in Zurich) appropriates graphic image materials from advertising and marketing industries, among others, through various artistic processes. By isolating and re-integrating them into art, the power structures hidden behind the imagery are made visible. For the HALLE FÜR KUNST, Longhi combines images of luxury consumer goods with echoes of modernist formal language and incorporates these elements into pavilion-like arrangements.

Artists

Participating artists

Lorenza Longhi

*1991 Lecco, lives in Zurich

Solo (et al.): Fanta, Milan (2022, 2019, 2016), Ordet, Milan (2022), Kunsthalle Zurich (2021), Weiss Falk, Basel (2021), Bungalow, Berlin (2020), La Plage, Paris (2019), Playmouth Rock, Zurich (2019); Shows (et al.): Layr, Vienna (2022), Swiss Art Awards, Messe Basel (2022), PART, Rimini (2022), Bonner Kunstverein (2022), MACRO, Museum of Contemporarty Art of Rome, Rome (2022), Kunstverein Bielefeld (2021), Fondazione Prada, Venice (2021), Stadtgalerie, Bern (2021), Le Commun, Geneva (2021), Deborah Schamoni, Munich (2021), 17.Quadriennale d’arte, Rom, Rome (2020), Grand Palais, Bern (2020), Hyphen, Milan (2019), Kunst Halle St.Gallen (2019)

More contributions

Kathy Rae Huffman
FROM CYBERFEMINISM 
UNTIL NOW

Video

Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.

Kathy Rae Huffman 

Karin M. Schmidlechner 
Styrian women during and after National Socialism

Video

In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called rubble woman.”

Karin M. Schmidlechner 

Eva Ursprung
The Art of Surfacing

Slide show

Eva Ursprung, _Dock_, 2026

With the exhibition The Art of Surfacing, HALLE FÜR KUNST Steiermark presents the multifaceted work of Austrian artist, musician, and curator Eva Ursprung, who was awarded the Honorary Prize of the Province of Styria in 2024. Her cross-media, feminist, and socially critical approaches revolve around the element of water as a metaphor for change and political and ecological processes.

Slide show Eva Ursprung

Susanne Wenger
Àdùnní Olórìṣà

Slide show

Susanne Wenger gilt als eine zentrale Künstlerin Österreichs nach 1945 und als frühe Wegbereiterin des Surrealismus. Ihr Œuvre, das Skulpturen, Gemälde, Zeichnungen, Drucke und Batiken umfasst, überschreitet ästhetische Kategorien und verbindet Kunst, Spiritualität und Mythos. 

Slide Show Susanne Wenger

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger