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Statements IV.
Heinrich Dunst 

Video

The video is available in German

The new online series provides all who are interested with exciting insights into topics and questions about the artistic positions of the exhibitions. For the Artist-Statement, the artists are each asked five short questions, whereby new insights into their work emerge and a current reference to conceptual art is established. 

Heinrich Dunst is currently seen as the Austrian conceptual artist. His work focuses on the analysis of art and on testing its potential, with language and object in an open dialogue with one another. Important questions concerning the function and the conditions of art are raised, and they run up against reality and its challenges. These finely tuned works follow a conceptual approach that refers to the specific place where they are presented within an open interplay of images, language, and context. The concrete production and processing of art is at the center, and it is directly and humorously tested as to its relevance. Dunst sets art and its signs in motion by creating a dynamic referential media interplay of the visible and invisible, composed of image, film, and language — thereby proposing possible responses to the ambiguous signs of our fragmented present.

Artists

Participating artists

Heinrich Dunst

*1955 Hallein, lives in Vienna

Among many others we allow us to highlight following shows: nächst St. Stephan Rosemarie Schwarzwälder, Vienna (2019, 2013), House of Art, České Budějovice (2018), KOW, Berlin (2016, 2014), Kunstverein Schwaz (2015), Ludwig Forum, Aachen (2015), Kunsthalle Wien, Vienna (2014) and Secession, Vienna (2014).

More contributions

Eva Ursprung
The Art of Surfacing

Slide show

Eva Ursprung, _Dock_, 2026

With the exhibition The Art of Surfacing, HALLE FÜR KUNST Steiermark presents the multifaceted work of Austrian artist, musician, and curator Eva Ursprung, who was awarded the Honorary Prize of the Province of Styria in 2024. Her cross-media, feminist, and socially critical approaches revolve around the element of water as a metaphor for change and political and ecological processes.

Slide show Eva Ursprung

Susanne Wenger
Àdùnní Olórìṣà

Slide show

Susanne Wenger gilt als eine zentrale Künstlerin Österreichs nach 1945 und als frühe Wegbereiterin des Surrealismus. Ihr Œuvre, das Skulpturen, Gemälde, Zeichnungen, Drucke und Batiken umfasst, überschreitet ästhetische Kategorien und verbindet Kunst, Spiritualität und Mythos. 

Slide Show Susanne Wenger

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger

Diego Bianchi
Errores Irreales

Slide show

Diego Bianchi (*1969 Buenos Aires, lives in Buenos Aires) is considered one of Argentina’s leading artists and has, in particular, updated the concept of sculpture. For his installative and performative exhibition Errores Irreales at HALLE FÜR KUNST Steiermark, Bianchi has assembled a selection of his sculptures that play with the concept of the body.

Slide show Diego Bianchi

Celina Eceiza
Ofrenda

Slide show

Ofrenda [Offering] presents a way of inhabiting a space as if the architecture were a body, breathing erratically, changing states as you pass from one room to the next. The rigidity of the building collapses as the walls are draped in thousands of metres of fabric joined together through the collective and timeless action of sewing, until they form a single smooth surface, sensitive to the slightest change.

Slide show Celina Eceiza