Skip to content

A Ladder to the Universe:
Stano Filko and the Art of the Avant-Garde

Patricia Grzonka 

Video

The lecture is available in German

As early as 2005, the Swiss art and architecture theorist Patricia Grzonka published Stano Filko (published by Arbor Vitae, Prague), an early examination of Filko’s oeuvre and was thus one of the first to take an interest in the artist’s work outside Slovakia at that time. She builds here on many personal conversations with the artist as well as her long-standing interest in the content of his work. Within the framework of her lecture, the art historian will give an introduction to the work of Stano Filko, which will primarily revolve around a presentation of the various central moments in his works. In doing so, she will follow the own artistic logic of this eclectic Slovak avant-gardist who positioned himself between East, West and the universe.

Artists

Participating artists

Dr. Patricia Grzonka

*St. Gallen, lives in Vienna

Dr. Patricia Grzonka is an art and architecture historian and critic. She is a lecturer at the University of Applied Arts in Vienna and teaches at the Institute for Art and Architecture at the Academy of Fine Arts Vienna. Grzonka studied in Zurich and Rome and received a PhD in architectural theory at Vienna University of Technology. She has written numerous texts, interviews, and essays in the fields of modernist art and architectural theory, as well as neo-avant-gardes. Her texts are regularly published in exhibition publications and are part of renowned art magazines, including springerin, Texte zur Kunst, Kunstbulletin, Monopol and frieze, and newspapers such as Neue Zürcher Zeitung, profil and Falter. In 2015 she was a laureate of the Art Critics Award. At the invitation of Dušan Brozman she wrote an extensive text about the artist for Arbor Vitae, Prague (2005); as well as for the conference proceedings of the Association of Austrian Art Historians, Hohenems (2011). 
www​.patri​ci​a​gr​zon​ka​.net

More contributions

Kathy Rae Huffman
FROM CYBERFEMINISM 
UNTIL NOW

Video

Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.

Kathy Rae Huffman 

Karin M. Schmidlechner 
Styrian women during and after National Socialism

Video

In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called rubble woman.”

Karin M. Schmidlechner 

Eva Ursprung
The Art of Surfacing

Slide show

Eva Ursprung, _Dock_, 2026

With the exhibition The Art of Surfacing, HALLE FÜR KUNST Steiermark presents the multifaceted work of Austrian artist, musician, and curator Eva Ursprung, who was awarded the Honorary Prize of the Province of Styria in 2024. Her cross-media, feminist, and socially critical approaches revolve around the element of water as a metaphor for change and political and ecological processes.

Slide show Eva Ursprung

Susanne Wenger
Àdùnní Olórìṣà

Slide show

Susanne Wenger gilt als eine zentrale Künstlerin Österreichs nach 1945 und als frühe Wegbereiterin des Surrealismus. Ihr Œuvre, das Skulpturen, Gemälde, Zeichnungen, Drucke und Batiken umfasst, überschreitet ästhetische Kategorien und verbindet Kunst, Spiritualität und Mythos. 

Slide Show Susanne Wenger

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger