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Space is the Place
Mira Keratová 

Video

The video is available in English.

Art historian and curator Mira Keratová explores divergent perspectives of East and West on the artist’s work and position. Stano Filko’s artistic work begins in Czechoslovakia (today: Slovakia) in the 1960s, a time when artistic freedom was severely limited. While the socialist régime established a one-sided view of the world, Filko is known for his attempt to depict in his art the overall context of the world as an external and internal reality. In 1981 Filko emigrated, he lived and worked in Germany (Düsseldorf) and from 1982 in the United States (New York), returning to Bratislava in 1990. These biographical stages also roughly divide the various phases of the work into which the respective framework conditions can be read.

In her lecture art historian and curator Mira Keratová explores divergent perspectives of East and West on the artist’s work and position.

Artists

Participating artists

Mira Keratová Ph.D.

*1977 Banská Bystrica, lives in Bratislava

is an art historian and curator in the field of modern and contemporary art at the Bratislava City Gallery, she also works as a curator for the Central Slovakian Gallery in Banská Bystrica. Keratová studied art history at the Comenius University in Bratislava and received her Ph.D. from the Academy of Fine Arts and Design in Bratislava, where she wrote her doctoral thesis on performance art of 1960s and 1970s and its documentation. She works on the neo-avant-gardes of Eastern Europe and is a specialist in the field of action art and performative art of Czechoslovakia during the repressive period of normalization” from 1969 – 89. Keratová taught as a lecturer at the Academy of Fine Arts and Design in Bratislava and at the Faculty of Fine Arts of the Technical University in Brno. She is the author of various texts on art and editor of publications on L’ubomír Durček (2013) and Peter Bartoš (2014, 2019). Her close collaboration with Stano Filko led to solo shows at Fondazione Morra Greco, Naples (2014); Central Slovakian Gallery, Banská Bystrica (2017); also she prepared his participation at the 11th Lyon Biennale (2011).

More contributions

Kathy Rae Huffman
FROM CYBERFEMINISM 
UNTIL NOW

Video

Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.

Kathy Rae Huffman 

Karin M. Schmidlechner 
Styrian women during and after National Socialism

Video

In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called rubble woman.”

Karin M. Schmidlechner 

Eva Ursprung
The Art of Surfacing

Slide show

Eva Ursprung, _Dock_, 2026

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Slide show Eva Ursprung

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Àdùnní Olórìṣà

Slide show

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Slide Show Susanne Wenger

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger