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A.rtificial I.ntrospection O.
Exhibition Tour 

Slide show

Maria Lassnig, Portrait von Ingrid und Oswald Wiener (Portrait of Ingrid and Oswald Wiener, 1967

Oil on canvas
111 × 130 cm
Courtesy Ingrid Wiener, Kapfenstein

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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Maria Lassnig, Nach O. Wieners Vorschlägen (Based on O. Wiener’s Suggestions), 1976

Pencil on paper
45,8 × 60,9 cm, framed
Courtesy Maria Lassnig Foundation, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtifcial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Ausstellungsansicht HALLE FÜR KUNST Steiermark, Graz

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Oswald Wiener, Würfelabwicklung II, 1993

16 watercolors, each 16,5 × 24 cm
Provided by Ingrid Wiener

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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Oswald Wiener, Ungefähre Anlage von Güter Brus als Vogel (Approximate Layout of Günter Brus as a Bird), 1970

Pencil on paper
29,7 × 21 cm and 21 × 29,7 cm
Courtesy Archive Brus, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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Oswald Wiener, bio-adapter, 1967

Typewritten on paper
each 29,7 × 21,0 cm
Courtesy of Galerie Krinzinger and Estate of Walter Pichler

Photo: kun​st​-doku​men​ta​tion​.com

VALIE EXPORT, Oswald Wiener – Tischbemerkungen November 1985 (Table Remarks November 1985), 1985

Documentary, digital file, 4:3, color, stereo, 45 min.
Courtesy VALIE EXPORT / sixpackfilm, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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Michael Krebber, Lecture notes, class notes, homework assignments, ephemera related to
Ghost Trap”
, 2024

Mixed Media
Variable dimensions
Courtesy the artist and Greene Naftali, New York

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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Walter Pichler, Apparat (Prototyp 1), 1966

Aluminum, chrome-plated brass
136 × 55 × 50 cm
Courtesy Galerie Krinzinger and Estate of Walter Pichler, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Walter Pichler, Kleiner Raum (Prototyp 4), 1967

Silver gelatin print
40 × 30 cm, framed
Courtesy Galerie Krinzinger and Estate of Walter Pichler, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Walter Pichler, TV Helm, 1967

Mixed media on paper
29 × 20,5 cm, framed
Courtesy Galerie Krinzinger and Nachlass Walter Pichler, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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Dieter Roth, Stempelbild (Stempelzeichnung), 1975

Original drawing on tracing paper, created using a rubber stamp
70 × 95,5 cm, framed
Courtesy Philipp Konzett, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Dieter Roth, Stempelbild (Stempelzeichnung), 1975

Original drawing on tracing paper, created using a rubber stamp
70 × 95,5 cm, framed
Courtesy Philipp Konzett, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Dieter Roth, Die Löwen von L. (3 Stück)(The Lions of L. (3 pieces), 1973

Acrylic on paper
60 × 40 cm, framed
Courtesy Ingrid Wiener, Kapfenstein

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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Franz West, Ossi aussi Ossi, 1984

Gouache, photograph, magazine page on corrugated cardboard
35 × 110 cm, framed
Courtesy Cathy Fiscus, Vienna

Foto: kun​st​-doku​men​ta​tion​.com

Franz West, Dialoge, 1984

Gouache and print, paper collage on cardboard
31 × 91 cm, framed
Courtesy Sammlung Philipp Konzett, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Franz West, Demagog, 1984

Gouache, photograph, magazine page on corrugated cardboard
42,7 × 135,5 cm, framed
Courtesy Heinz Neumann, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

Morag Keil, Mr. Magic, 2024

Mannequin, microwave, table, armchair, cameras, screens, phone and apple
Variable dimensions
Courtesy Galerie Isabella Bortolozzi, Berlin

Photo: kun​st​-doku​men​ta​tion​.com

Morag Keil, Mr. Magic, 2024

Mannequin, microwave, table, armchair, cameras, screens, phone and apple
Variable dimensions
Courtesy Galerie Isabella Bortolozzi, Berlin

Photo: kun​st​-doku​men​ta​tion​.com

Morag Keil, Mr. Magic, 2024

Mannequin, microwave, table, armchair, cameras, screens, phone and apple
Variable dimensions
Courtesy Galerie Isabella Bortolozzi, Berlin

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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Ken Okiishi, 25 jan. 2025, 2025

Acrylic paint on mylar, monitor, .mov File (color, silent)
121,9 × 68,6 × 9,5 cm
Courtesy Reena Spaulings Fine Art, New York and Pilar Corrias, London

Photo: kun​st​-doku​men​ta​tion​.com

Ken Okiishi, 25 jan. 2025, 2025

Acrylic paint on mylar, monitor, .mov File (color, silent)
121,9 × 68,6 × 9,5 cm
Courtesy Reena Spaulings Fine Art, New York and Pilar Corrias, London

Photo: kun​st​-doku​men​ta​tion​.com

Ken Okiishi, 25 jan. 2025, 2025

Acrylic paint on mylar, monitor, .mov File (color, silent)
121,9 × 68,6 × 9,5 cm
Courtesy Reena Spaulings Fine Art, New York und Pilar Corrias, London

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

Agnes Scherer, An unnamed file contains an incorrect path, 2021

Wooden sculpture, painting on canvas, mural
Screen: 214 × 330 cm; keyboard: 214 × 330 cm
Courtesy of the artist and ChertLüdde, Berlin; Sans Titre, Paris

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

Jenna Bliss, Drone I, Drone II, Drone III, 2021

Silver gelatin print
114,3 × 78,2 cm, framed
Courtesy Collection of Attilia Fattori Franchini and Felix Gaudlitz, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Jenna Bliss, 5 Stock / Gangway (chat), New Delivery / Gangway (chat), 2017 & 2019

Super 8 mm film and video
1:39 min., Loop
Photo: kun​st​-doku​men​ta​tion​.com

Courtesy the artist and FELIX GAUDLITZ, Vienna

Jenna Bliss, 5 Stock / Gangway (chat), New Delivery / Gangway (chat), 2017 & 2019

Super 8 mm film and video
1:39 min., Loop
Courtesy the artist and FELIX GAUDLITZ, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

Tishan Hsu, Breath 2, 2021

UV print, silicone on wood
121,9 × 57,5 × 7,6 cm
Courtesy Private Collection, Paris

Photo: kun​st​-doku​men​ta​tion​.com

Tishan Hsu, Breath 2, 202

UV print, silicone on wood
121,9 × 57,5 × 7,6 cm
Courtesy Private Collection, Paris

Photo: kun​st​-doku​men​ta​tion​.com

Tishan Hsu, Breath 2, 2021

UV print, silicone on wood
121,9 × 57,5 × 7,6 cm
Courtesy Private Collection, Paris

Photo: kun​st​-doku​men​ta​tion​.com

Josh Kline, Whatever It Takes 2024, 2024

Pigmented silicone, metal shelf with tinted polyurethane paint, LED lighting
Top shelf: Artist’s hand with a Magic 8 Ball; middle shelf: Artist’s hand with a wrist brace; bottom shelf: Artist’s hand with a Mac mouse
94 × 66 × 33,7 cm
Courtesy Josh Kline and Lisson Gallery, London / New York

Photo: kun​st​-doku​men​ta​tion​.com

Josh Kline, Whatever It Takes 2024, 2024

Pigmented silicone, metal shelf with tinted polyurethane paint, LED lighting
Top shelf: Artist’s hand with a Magic 8 Ball; middle shelf: Artist’s hand with a wrist brace; bottom shelf: Artist’s hand with a Mac mouse
94 × 66 × 33,7 cm
Courtesy Josh Kline and Lisson Gallery, London / New York

Photo: kun​st​-doku​men​ta​tion​.com

A.rtifcial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

Maria Lassnig, Violettes Monster (The Purple Monster), 1964

Oil on canvas
60 × 50 cm, framed
Courtesy Maria Lassnig Foundation, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Maria Lassnig, Violettes Monster (The Purple Monster), 1964

Oil on canvas
60 × 50 cm, framed
Courtesy Maria Lassnig Foundation, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

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Maria Lassnig, Selbstportrait mit Sprechblase (Self-portrait with a speech bubble, 2006

Oil on canvas
207,5 × 154 cm
Courtesy Maria Lassnig Foundation, Vienna

Foto: kun​st​-doku​men​ta​tion​.com

Maria Lassnig, Selbstportrait mit Sprechblase (Self-Portrait with Speech Bubble, 2006

Oil on canvas
207,5 × 154 cm
Courtesy Maria Lassnig Foundation, Vienna

Foto: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

Maria Lassnig, Das optische Zeitalter (The Optical Age), 1985 – 1986

Oil on canvas
98,5 × 75 cm
Courtesy Maria Lassnig Foundation, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Maria Lassnig, Das optische Zeitalter (The Optical Age), 1985 – 1986

Oil on canvas
98,5 × 75 cm
Courtesy Maria Lassnig Foundation, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

Ingrid Wiener, Schnallenverschluß (Buckle fastening), 2019

Tapestry, wool, silk, rayon
37 × 65 cm
Courtesy Charim Galerie, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Ingrid Wiener, JAQUARDBINDUNG, 2019

Tapestry, wool, silk, rayon
50 × 100 cm
Courtesy Charim Gallery, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Ingrid Wiener, BUCHSTABE E (LETTER E), 2012

Tapestry, wool, silk, rayon
60 × 32 cm
Courtesy Charim Galerie, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

Ingrid Wiener, Dr. Müllers Kabelfrühling (Dr. Müller’s Cable Spring), 2008

Wool, silk, rayon, knitwear
120 × 180 cm
Courtesy MAK – Museum für angewandte Kunst, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Ingrid Wiener, Dr. Müllers Kabelfrühling (Dr. Müller’s Cable Spring), 2008

Wool, silk, rayon, knitwear
120 × 180 cm
Courtesy MAK – Museum für angewandte Kunst, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O., 2026

Exhibition view HALLE FÜR KUNST Steiermark, Graz

Photo: kun​st​-doku​men​ta​tion​.com

Tiffany Sia, Antipodes II, 2024

Rewired rear-view mirror with recorded live-stream video of the port Okinawa for a duration of 24 hours
26 × 7,5 × 9 cm
Courtesy the artist and Maxwell Graham, New York

Photo: kun​st​-doku​men​ta​tion​.com

Tiffany Sia, Antipodes II, 2024

Rewired rear-view mirror with recorded live-stream video of the port Okinawa for a duration of 24 hours
26 × 7,5 × 9 cm
Courtesy the artist and Maxwell Graham, New York

Photo: kun​st​-doku​men​ta​tion​.com

Tiffany Sia, Antipodes II, 2024

Rewired rear-view mirror with recorded live-stream video of the port Okinawa for a duration of 24 hours
26 × 7,5 × 9 cm
Courtesy the artist and Maxwell Graham, New York

Photo: kun​st​-doku​men​ta​tion​.com

Tiffany Sia, Antipodes II, 2024

Rewired rear-view mirror with recorded live-stream video of the port Okinawa for a duration of 24 hours
Courtesy the artist and Maxwell Graham, New York
26 × 7,5 × 9 cm

Photo: kun​st​-doku​men​ta​tion​.com

A.rtificial I.ntrospection O. relates Wiener’s theoretical positions to contemporary artistic practices that engage with introspection and cybernetics. Art is not understood as a counter-model to technology, but rather as a field in which similar processes of translation are at work as in cybernetics: visual, linguistic, and affective information is encoded, decoded, and transferred into circulating systems. Against the backdrop of a present situation in which algorithmic systems increasingly support decision-making in administration, law, communication, and the military, and in which AI-based language models simulate human communication, Wiener’s skeptical thinking gains renewed urgency. The indistinguishability of human and machine language production, paradigmatically embedded in the Turing Test, shifts the question away from intelligence toward issues of observability, control, and self-description.

What effects cybernetic intelligence will have on our everyday lives, our bodies, and our language remains partially open and can so far only be anticipated; they are and will certainly be considerable. The experimental exhibition A.I.O. seeks to make Oswald Wiener’s ideas artistically productive and to go beyond them. It engages with the relationship between cybernetics and introspection — and in doing so, interrogates the interaction between human and machine.

Exhibition page

More contributions

Kathy Rae Huffman
FROM CYBERFEMINISM 
UNTIL NOW

Video

Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.

Kathy Rae Huffman 

Xol Meissner
Concert 

Video

New York-based artist Xol Meissner — the alter ego of composer Mauro Hertig — has transformed the HALLE FÜR KUNST Steiermark into a hypnotic soundscape of extraordinary intensity with his haunting music, which oscillates between contemporary classical and avant-garde rock.

Xol Meissner

Karin M. Schmidlechner 
Styrian women during and after National Socialism

Video

In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called rubble woman.”

Karin M. Schmidlechner 

Eva Ursprung
The Art of Surfacing

Slide show

Eva Ursprung, _Dock_, 2026

With the exhibition The Art of Surfacing, HALLE FÜR KUNST Steiermark presents the multifaceted work of Austrian artist, musician, and curator Eva Ursprung, who was awarded the Honorary Prize of the Province of Styria in 2024. Her cross-media, feminist, and socially critical approaches revolve around the element of water as a metaphor for change and political and ecological processes.

Slide show Eva Ursprung

Susanne Wenger
Àdùnní Olórìṣà

Slide show

Susanne Wenger gilt als eine zentrale Künstlerin Österreichs nach 1945 und als frühe Wegbereiterin des Surrealismus. Ihr Œuvre, das Skulpturen, Gemälde, Zeichnungen, Drucke und Batiken umfasst, überschreitet ästhetische Kategorien und verbindet Kunst, Spiritualität und Mythos. 

Slide Show Susanne Wenger