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Anne-Kathrin Reulecke
Wired Subjects. Literature in the Technocene

Podcast

Anne-Kathrin Reulecke
Wired Subjects. Literature in the Technocene

In analogy to the term Anthropocene”, which describes the era in which humans have permanently changed the Earth’s geophysical system, the neologism Technocene” has also been used repeatedly in recent years. This refers to a new epoch that is characterized by the fact that (media) technological developments, in the form of digitalization and artificial intelligence, are permanently changing our idea of the human, our realities as human beings.

In literature, too, there is currently a boom in texts that react to the rapid developments and the progressive interweaving of subjects with media, devices and apparatus, to the interconnections with algorithmically based formats and to the increasing use of artificial intelligence — and stage them using artistic means. On the one hand, the overlaps between the human and the machine are diagnosed, depicted and reflected upon (sometimes more and sometimes less critically) with regard to their far-reaching consequences for the individual subject, but also for social coexistence and the human condition as a whole. On the other hand, current techno-scenarios are further developed in thought experiments with the potential inherent in literature and their consequences are imaginatively anticipated — often with the help of the setting of a near future.

The lecture will present contemporary novels that deal with the interconnectedness of humans with technical devices and that give literary form to the increasingly real coexistence of humans and human-like robots, humanoids.

Exhibition Page

Artists

Participating artists

Univ.-Prof. Dr.phil. Anne-Kathrin Reulecke

*1961 in Hildesheim, lives in Graz

is a university professor of modern German literature with a focus on literary theory and the history and theory of literary aesthetics at the Institute of German Studies at the University of Graz; before that she was a research associate at the Center for Literary and Cultural Research Berlin and at the Technical University of Berlin; in 2010 she was at the Max Kade Distinguished Visiting Professor, University of Virginia, USA. Since 2023 she has been a member of the DFG network PRANA — Posthuman Research and Narration: Posthumanist Research and Narration”; and since October 2024 spokesperson of the structured doctoral program Transformations of the Human” at the Faculty of Humanities, University of Graz.

Further research interests: Literature and visual arts 18th to 21st century; biotechnology, medicine, media and intermediality in contemporary literature; theories of authorship, forgery and plagiarism. Book publications, most recently: Walter Benjamin and Roland Barthes. Theoretische Komparatistik zwischen Kritischer Theorie und (Post-)Strukturalismus, ed. with Anke Jaspers, Wallstein 2025; Descriptio. Potentiale literarischer Beschreibung, ed. with Kurt Hahn, Steffen Schneider, Julia Zimmermann. Rombach 2024; Speaking with the Dead. Afterlife Narratives in Contemporary Literature and Art, ed. with Johanna Zeisberg, Böhlau 2021; Sehstörungen. Grenzwerte des Visuellen in Künsten und Wissenschaften, ed. with Margarete Vöhringer, Kadmos 2019.

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Kathy Rae Huffman 

Karin M. Schmidlechner 
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In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called rubble woman.”

Karin M. Schmidlechner 

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Eva Ursprung, _Dock_, 2026

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Slide show Eva Ursprung

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Slide Show Susanne Wenger

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Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
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For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger