Skip to content

Performance
On Kawara
Reading One Million Years

Slide show

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Foto: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installationsansicht, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

On Kawara, _Reading ONE MILLION YEARS_

Installation view, HALLE FÜR KUNST Steiermark, 2025

Photo: kunst​-doku​men​ta​ti​on​.com

As part of the performance program, the HALLE FÜR KUNST Steiermark is pleased to be the first institution in Austria to present the work One Million Years by the artist On Kawara in a performative reading. This will take place on two days, Friday, February 28, and Saturday, March 1, from 6 to 10 p.m. and is open to the public.
 

The Japanese-born artist On Kawara (1932 – 2014) dedicated his work to the phenomenon of time and how we experience it. His idiosyncratic work has been a central contribution to conceptual art and makes him one of the main proponents of this movement. He is perhaps best known for his Today series, also known as Date Paintings. A Date Painting is a monochrome canvas in red, blue or grey on which the date of creation is inscribed in white. The date is written in the language and convention of the place where Kawara painted the picture. The pictures were created in hours of painstaking work following a series of steps that never changed. If a painting was not finished by midnight, he destroyed it. Over five decades, it also reflects the artist’s life. One Million Years is perhaps his most fluid work. Formed of two parts entitled One Million Years: Past and One Million Years: Future, respectively, the work comprises two sets of ten binders with a total of two thousand pages of text. Each page contains five hundred years printed in ten columns and fifty lines. The folders containing the past years were created in 1970 and 1971 and their lists end with the year preceding their compilation. The folders containing future dates, were created between 1980 and 1998, and begin with the year after they were made. The ten years between 1971 and 1980 are not represented in either group of works. In total, Kawara produced both parts in an edition of twelve pieces each.

In 1993, Kawara expanded One Million Years to include live and recorded readings, allowing the project to be preserved and continued through public recitation. Each new session begins where the previous one ended – counting slowly from the past into the present or from the present into the future until the contents of all ten volumes of both works have been read aloud and the work – at least in this activated state – comes to an end. After more than thirty years and readings at around fifty locations, the sheer volume of both works is still not exhausted. 

HALLE FÜR KUNST Steiermark is delighted to be the first institution in Austria to participate in this unique and distinctive project in order to present one of the most outstanding artists of the past decades in a special way and, in coordination with the New York One Million Years Foundation, to actively contribute to keeping On Kawara’s practice as alive as possible.

Exhibition Page

Artists

Participating artists

On Kawara

(*1932 Kariya – 2014, New York City)

Solo exhibitions, Presentations & Readings (selection): Kunstmuseum St. Gallen, Switzerland (2022), Bundeskunsthalle Bonn (2021), Staatliche Kunstsammlungen Dresden (2020), Museum MACAN, Jakarta (2018), 57th Venice Biennale, Venice (2017), Solomon R. Guggenheim Museum, New York (2015), BALTIC Centre for Contemporary Art, Gateshead (2012), Jardin des Plantes, Paris (2012), David Zwirner, New York (2012, 2009, 2001, 1999), Dallas Museum of Art (2008), Ikon Gallery, Birmingham (2006), Städtische Galerie im Lehnbachhaus, Munich (2000), MMK Museum für Moderne Kunst, Frankfurt am Main (1996), Kölnischer Kunstverein (1995), Dia Center for the Arts, New York (1993), The Renaissance Society, Chicago (1989), Portikus, Frankfurt am Main (1989), Centre Georges Pompidou, Paris (1977).

Group exhibitions (selection): Musée d’art Moderne de Paris, Paris (2024), Kunsthalle Baden-Baden, Baden-Baden (2023), Kunsthall Charlottenburg, Copenhagen (2023), Pallazzo Grassi — Punta della Dogana, Venice (2023), MUMOK, Vienna (2022), Hamburger Kunsthalle (2022), Fundació Joan Miró, Barcelona (2022), Hiroshima City Museum of Contemporary Art, Hiroshima (2019), Kunstmuseum Basel (2019), Walker Art Center, Minneapolis (20172020), Museum of Modern Art, New York (20172020), Museo Jumex, Mexico City (2016), Museo de Arte de Sao Paulo (2016), Whitney Museum of American Art, New York (2015), Schaulager, Basel (2015), ZKM|Center for Art and Media, Karlsruhe (2006), The Museum of Modern Art, New York (2006), 4th Gwangju Biennale, Gwangju, Korea (2002), Documenta 7 & 11, Kassel (1982 / 2002), 11th Biennale of Sydney, Sydney (1998).

More contributions

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger

Diego Bianchi
Errores Irreales

Slide show

Diego Bianchi (*1969 Buenos Aires, lives in Buenos Aires) is considered one of Argentina’s leading artists and has, in particular, updated the concept of sculpture. For his installative and performative exhibition Errores Irreales at HALLE FÜR KUNST Steiermark, Bianchi has assembled a selection of his sculptures that play with the concept of the body.

Slide show Diego Bianchi

Celina Eceiza
Ofrenda

Slide show

Ofrenda [Offering] presents a way of inhabiting a space as if the architecture were a body, breathing erratically, changing states as you pass from one room to the next. The rigidity of the building collapses as the walls are draped in thousands of metres of fabric joined together through the collective and timeless action of sewing, until they form a single smooth surface, sensitive to the slightest change.

Slide show Celina Eceiza

Abaseh Mirvali
Artistic Director, viennacontemporary 

Video

The conversation between Abaseh Mirvali, director of viennacontemporary, and Sandro Droschl spans Diego Bianchi’s current exhibition and Celina Eceiza’s work in the context of Argentine art history to Mirvali’s many years of expertise and her international career. At the same time, her central role in the dynamic and innovative viennacontemporary 2025 was highlighted.

Abaseh Mirvali Talk

Morning Séance
alias Simone Borghi 

Video

Italian composer and sound artist Simone Borghi, alias Morning Séance, expands Celina Eceiza’s soft museum” in her exhibition Ofrenda at HALLE FÜR KUNST Steiermark with his atmospheric, constantly changing music, using his musical performance to enable visitors to experience physicality, space, and perception in new ways. 

Morning Séance alias Simone Borghi