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Nicole Streitler-Kastberger
The Man Without Qualities

Video

The exhibition Future of Melancholia explores the tensions between nostalgia and belief in progress, which are particularly palpable in cities such as Belgrade, Vienna and Graz. In doing so, it picks up on a melancholy mood that is also reminiscent of the atmosphere of Kakania at the beginning of the 20th century and was condensed into literature by Robert Musil’s The Man Without Qualities. Musil’s protagonist Ulrich embodies a sense of possibility” that eludes fixed life plans and oscillates between doubt, irony, devotion and creative negativity. The novel, which is considered an interdiscursive work, questions themes that are still valid today such as lifestyle, responsibility and the tense relationship between action and reflection — questions that remain relevant in our present day after retreat and reflection. In this conversation with Sandro Droschl, Musil expert Nicole Streitler-Kastberger has taken a precise approach to the monumental work and discussed these questions in more detail.

Exhibition Page

Artists

Participating artists

Nicole Streitler-Kastberger

* 1972 in Dornbirn, lives in Graz and Vienna

ist Literaturwissenschaftlerin, Kritikerin und Autorin. 1990 – 1995 Studium in Wien, dann von 1997 – 2000 und 2003 auf zwei Wellness-Lektoraten“ in Nizza und Bari. Sie hat ihre Dissertation zu Musil als Kritiker (Bern 2006) verfasst und war zwanzig Jahre lang Mitarbeiterin der Wiener Ausgabe der Werke Ödön von Horváths (Berlin 2009 – 2024). Derzeit ist sie wissenschaftliche Mitarbeiterin (Senior Scientist) am Franz-Nabl-Institut für Literaturforschung der Universität Graz.

More contributions

Kathy Rae Huffman
FROM CYBERFEMINISM 
UNTIL NOW

Video

Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.

Kathy Rae Huffman 

Karin M. Schmidlechner 
Styrian women during and after National Socialism

Video

In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called rubble woman.”

Karin M. Schmidlechner 

Eva Ursprung
The Art of Surfacing

Slide show

Eva Ursprung, _Dock_, 2026

With the exhibition The Art of Surfacing, HALLE FÜR KUNST Steiermark presents the multifaceted work of Austrian artist, musician, and curator Eva Ursprung, who was awarded the Honorary Prize of the Province of Styria in 2024. Her cross-media, feminist, and socially critical approaches revolve around the element of water as a metaphor for change and political and ecological processes.

Slide show Eva Ursprung

Susanne Wenger
Àdùnní Olórìṣà

Slide show

Susanne Wenger gilt als eine zentrale Künstlerin Österreichs nach 1945 und als frühe Wegbereiterin des Surrealismus. Ihr Œuvre, das Skulpturen, Gemälde, Zeichnungen, Drucke und Batiken umfasst, überschreitet ästhetische Kategorien und verbindet Kunst, Spiritualität und Mythos. 

Slide Show Susanne Wenger

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger