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In Balance: Museum Ballett
Ann-Kathrin Adam & Lucie Horná 

Video

HALLE FÜR KUNST Steiermark has organized a dance performance as part of the exhibition Europe: Ancient Future

Ann-Kathrin Adam and Lucie Horná, both dancers of the Opera Graz, will use the exhibition space for an improvised, dance commentary and will make the works, as well as the architecture of the space, appear once again in a different and dynamic way. The space will be rethought: How can we perceive art through our bodies? How do visual positions interact with the medium of dance?

Music recording: Balanescu Quartet.
Text: If” by Rudyard Kipling.

Ann-Kathrin Adam was born in Germany and trained at the John Cranko School in Stuttgart. In 2005 she was engaged in the ballet of the Deutsche Oper am Rhein, where she danced first under the direction of Youri Vamos and then under Martin Schläpfer as a soloist. In 2017, she was awarded the Förderpreis für darstellende Künste of the city of Düsseldorf. Since summer 2019 she dances at the Opera Graz.

Lucie Horná comes from the Czech Republic, where she already started her ballet training. From 2006 she moved to the Vienna State Opera Ballet School, where she graduated in 2016. In the 2016/2017 season, she was part of the Vienna State Opera Youth Company and participated in performances with the State Ballet. The following season she was engaged in the ensemble of the South Bohemian Theatre in Budweis. From the 2018/19 season Lucie Horná is a member of the Graz Opera Ballet.

More contributions

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FROM CYBERFEMINISM 
UNTIL NOW

Video

Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.

Kathy Rae Huffman 

Karin M. Schmidlechner 
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Video

In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called rubble woman.”

Karin M. Schmidlechner 

Eva Ursprung
The Art of Surfacing

Slide show

Eva Ursprung, _Dock_, 2026

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Slide show Eva Ursprung

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Àdùnní Olórìṣà

Slide show

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Slide Show Susanne Wenger

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger