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Gender and Humor 
Mario Huber 

Gender and Humor. Two very hot potatoes.

In theory, a connecting moment can quickly be identified between gender and humor. On the one hand, both questions about social gender and reactions to comedy are connected in many ways to social norms, institutions, and symbols. On the other hand, in both fields, in addition to describing and criticizing structures of power and domination, there is room for observing individual forms and a broad spectrum of lifeworlds becomes visible.

This sounds good in theory, and offers great conditions for interesting works and perspectives. However, when considering gender and humor together, people often still think in a very conservative (and thus binary) way. In cabaret and comedy, for example, it is still often claimed: Men are like this – and women like that.” In the end, we’re supposed to laugh at the woman rather than the man. But we also encounter these simple explanations of the world outside of artistic stage works. In everyday communication, for example, the majority of jokes are still made at women’s expense. Men seem to have greater freedom in acting out their humor, whereas less subjectivity is provided for women. Little to no thought is given to everyone outside of this. Somewhere between the exciting possibilities and the often lived reality something is jinxed.

Gender and Humor – a complicated field of stereotypes, clichés and exaggerations that we will try to master. A lecture based on the title of the exhibition, with some exclamation marks, but most of all many many question marks.

Artists

Participating artists

Mario Huber

author and literary scholar

studied German studies and Philosophy in Graz, 2014 – 2022 staff member at the Austrian Cabaret Archive, 2018 – 2023 staff member at the Center for Cultural Studies at the University of Graz, since 2019 lecturer at the Institute of German Studies at the University of Graz, since fall 2023 staff member at the Archive of Contemporaries at the University of Krems, publications on Austrian cabaret, law and literature, memory cultures, and dialect literature

More contributions

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger

Diego Bianchi
Errores Irreales

Slide show

Diego Bianchi (*1969 Buenos Aires, lives in Buenos Aires) is considered one of Argentina’s leading artists and has, in particular, updated the concept of sculpture. For his installative and performative exhibition Errores Irreales at HALLE FÜR KUNST Steiermark, Bianchi has assembled a selection of his sculptures that play with the concept of the body.

Slide show Diego Bianchi

Celina Eceiza
Ofrenda

Slide show

Ofrenda [Offering] presents a way of inhabiting a space as if the architecture were a body, breathing erratically, changing states as you pass from one room to the next. The rigidity of the building collapses as the walls are draped in thousands of metres of fabric joined together through the collective and timeless action of sewing, until they form a single smooth surface, sensitive to the slightest change.

Slide show Celina Eceiza

Abaseh Mirvali
Artistic Director, viennacontemporary 

Video

The conversation between Abaseh Mirvali, director of viennacontemporary, and Sandro Droschl spans Diego Bianchi’s current exhibition and Celina Eceiza’s work in the context of Argentine art history to Mirvali’s many years of expertise and her international career. At the same time, her central role in the dynamic and innovative viennacontemporary 2025 was highlighted.

Abaseh Mirvali Talk

Morning Séance
alias Simone Borghi 

Video

Italian composer and sound artist Simone Borghi, alias Morning Séance, expands Celina Eceiza’s soft museum” in her exhibition Ofrenda at HALLE FÜR KUNST Steiermark with his atmospheric, constantly changing music, using his musical performance to enable visitors to experience physicality, space, and perception in new ways. 

Morning Séance alias Simone Borghi