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Gender and Humor 
Mario Huber 

Gender and Humor. Two very hot potatoes.

In theory, a connecting moment can quickly be identified between gender and humor. On the one hand, both questions about social gender and reactions to comedy are connected in many ways to social norms, institutions, and symbols. On the other hand, in both fields, in addition to describing and criticizing structures of power and domination, there is room for observing individual forms and a broad spectrum of lifeworlds becomes visible.

This sounds good in theory, and offers great conditions for interesting works and perspectives. However, when considering gender and humor together, people often still think in a very conservative (and thus binary) way. In cabaret and comedy, for example, it is still often claimed: Men are like this – and women like that.” In the end, we’re supposed to laugh at the woman rather than the man. But we also encounter these simple explanations of the world outside of artistic stage works. In everyday communication, for example, the majority of jokes are still made at women’s expense. Men seem to have greater freedom in acting out their humor, whereas less subjectivity is provided for women. Little to no thought is given to everyone outside of this. Somewhere between the exciting possibilities and the often lived reality something is jinxed.

Gender and Humor – a complicated field of stereotypes, clichés and exaggerations that we will try to master. A lecture based on the title of the exhibition, with some exclamation marks, but most of all many many question marks.

Artists

Participating artists

Mario Huber

author and literary scholar

studied German studies and Philosophy in Graz, 2014 – 2022 staff member at the Austrian Cabaret Archive, 2018 – 2023 staff member at the Center for Cultural Studies at the University of Graz, since 2019 lecturer at the Institute of German Studies at the University of Graz, since fall 2023 staff member at the Archive of Contemporaries at the University of Krems, publications on Austrian cabaret, law and literature, memory cultures, and dialect literature

More contributions

Diedrich Diederichsen
Vortrag 

Video

On the basis of his contribution to the publication, conceived against the backdrop of Poledna’s film produced in Los Angeles in the summer of 2024 especially for the exhibition at HALLE FÜR KUNST Steiermark, Diederichsen will discuss and present Mathias Poledna’s artistic career with references to music and art history as well as pop culture.

Diedrich Diederichsen

Karel Císař
Lecture 

Video

In this lecture, Císař will explore Mathias Poledna’s career and artistic practice against the backdrop of the current exhibition, which can also be understood as a kind of retrospective. 

Karel Císař – Lecture

Mathias Poledna
Exhibition Tour 

Slide show

Mathias Poledna has created a complex, multi-layered body of work in which films, expansive installations and architectural interventions are in constant dialog with each other, where independent series of works, found objects and ephemeral materials all condense to form a singular artistic language. Central to his practice are questions of modernity, cultural memory and the visual imaginary in art and popular culture.

Ausstellungsrundgang Mathias Poledna

Performance Total Romance: Partial Repair
Isabel Lewis, Dirk Bell with vocalist, performer and artist Rupert Enticknap and performer and pole dancer Yann Slattery 

Video

The performance Total Romance: Partial Repair is the centerpiece of Isabel Lewis and Dirk Bell’s joint exhibition Ever/​Repair at HALLE FÜR KUNST Steiermark, and is performed by four performers. In… 

Performance Total Romance: Partial Repair Isabel Lewis, Dirk Bell with vocalist, performer and artist Rupert Enticknap and performer and pole dancer Yann Slattery