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On Conditions
Marina Vishmidt 

Video

The Video is available in English

The American author and critic Marina Vishmidt deals with the tension between art, value and labor from a (post-) marxist perspective. She considers the so-called cultural industry as a driving economic force and examines the increasing expansion of the logic of the financial market and its influence on artistic production. Ultimately, her research also involves an examination of the autonomy of art, which raises questions about capitalist value creation, about creativity as ideology, and about social crises and precarity. To what extent is collective action also made more difficult in an industry driven by personal branding? 

Marina Vishmidt’s online lecture sheds light on her engagement with conceptual art, which she examines in terms of its production contexts and value around the notion of labor.

Artists

Participating artists

Marina Vishmidt

*1976

is an American writer, editor, and critic. She is a lecturer at the Centre for Cultural Studies at Goldsmiths University of London and teaches art theory at the Netherlands Art Institute in Arnhem. Her work is primarily concerned with the connection between art, value, and labor, focusing on the increasing dissolution of international financial markets and their influence on subjectivation in the artistic field. Vishmidt publishes in various magazines and journals such as Mute, Afterall, Texte zur Kunst, Ephemera, Kaleidoscope and OPEN! She is on the editorial board of the book series New Perspectives on the Critical Theory of Society (Bloomsbury Academic) and the journal South as a State of Mind. Recent publications include: Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital (2018), Reproducing Autonomy: Work, Money, Crisis and Contemporary Art (2016).

More contributions

Vanessa Joan Müller, Evelyn Plaschg
Conversation 

Video

The book presentation accompanying Evelyn Plaschg’s exhibition Viscous City features a conversation between Vanessa Joan Müller, Sandro Droschl, and the artist herself. Müller’s essay Ansichten des Unbestimmten (Views of the Indefinite) describes Plaschg’s painting as a poetic-analytical reflection on the body, pictorial space, and urban experience, inviting an in-depth exchange on image, text, and perception.

Viscous City: Evelyn Plaschg, Vanessa Joan Müller

Evelyn Plaschg
Concert

Video

The video shows an excerpt from Evelyn Plaschg’s concert, which she presented as part of her exhibition Viscous City at HALLE FÜR KUNST Steiermark. The artist’s sound performance enters into dialogue with her paintings on display.

Evelyn Plaschg concert

Evelyn Plaschg
Viscous City

Slide show

Evelyn Plaschg combines sophisticated technique and her own idiosyncratic imagery to produce a kind of painting that is figurative in ways that transcend all standard approaches.

Viscous City

Louise Giovanelli
A Song of Ascents

Slide show

Louise Giovanelli paints striking hypnotic works that emit light both on a visual and metaphorical level. Her works often show mysterious objects, such as a closed curtain, a glimmering shock of hair, or the reflecting surface of a cocktail glass. There are also human figures, often women, seemingly caught in moments between awe and desperation, or about to cross over a border of experience and knowledge.

A Song of Ascents

Evelyn Plaschg
Artist Talk 

Video

Together, artist Evelyn Plaschg and curator Jan Tappe will speak about the process of painting, shifts within the artist’s practice, the role of photography as a point of departure, the presence of the body in the image, and a growing interest in urban spaces and infrastructures.

Evelyn Plaschg