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Lensable Belief
Marc Siegel 

Video

The video is available in English.

Departing from Siegels research on gossip in queer culture, this talk looks at the role of belief in the artistic production of the American underground film scene of the 1960s. What gossip knows depends on who you believe. Gossip’s knowledge always rests in the hands of the trusted others who pass it on. Its circulation fosters a sociality based on the desire to believe what others believe. Siegel’s lecture gives insights in how such a system of secular belief drives the performances, films and writings of key underground film figures like Jack Smith, Mario Montez and Andy Warhol? 

Artists

Participating artists

Marc Siegel

Marc Siegel is professor of Film Studies at the Johannes Gutenberg University in Mainz. His research focuses mainly on issues of queer studies and experimental film. Siegel is a member of the Academy of the Arts of the World in Cologne, on the advisory board of the section Forum Expanded of the Berlinale and one of the co-founders of the Berlin artist collective CHEAP as well as artistic director of ZOOM — Labor Ludwig Schönherr. He has curated numerous film series and programs for film and performance festivals as well as museums and galleries, including the Berlin Biennale; the Berlinale; Tate Modern, London; CCCB, Barcelona; Bunkier Sztuki, Krakow; and the Goethe-Institut, Calcutta. His publications include the co-edited volumes, Serge Daney and Queer Cinephilia (meson press, 2022); Film Culture 80: The Legend of Barbara Rubin (Spector Books, 2018); Synchronizing the Arts (Fink, 2013); and Outside. The Politics of Queer Spaces (b_​books, 2005). His book A Gossip of Images is forthcoming from Duke University Press.

More contributions

Kathy Rae Huffman
FROM CYBERFEMINISM 
UNTIL NOW

Video

Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.

Kathy Rae Huffman 

Karin M. Schmidlechner 
Styrian women during and after National Socialism

Video

In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called rubble woman.”

Karin M. Schmidlechner 

Eva Ursprung
The Art of Surfacing

Slide show

Eva Ursprung, _Dock_, 2026

With the exhibition The Art of Surfacing, HALLE FÜR KUNST Steiermark presents the multifaceted work of Austrian artist, musician, and curator Eva Ursprung, who was awarded the Honorary Prize of the Province of Styria in 2024. Her cross-media, feminist, and socially critical approaches revolve around the element of water as a metaphor for change and political and ecological processes.

Slide show Eva Ursprung

Susanne Wenger
Àdùnní Olórìṣà

Slide show

Susanne Wenger gilt als eine zentrale Künstlerin Österreichs nach 1945 und als frühe Wegbereiterin des Surrealismus. Ihr Œuvre, das Skulpturen, Gemälde, Zeichnungen, Drucke und Batiken umfasst, überschreitet ästhetische Kategorien und verbindet Kunst, Spiritualität und Mythos. 

Slide Show Susanne Wenger

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger