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Karel Císař
Lecture 

Video

Karel Císař is a philosopher, curator, and art theorist who understands modernity not as a temporal epoch that occurred between the pre-modern and the post-modern, but rather as an idea or project. As a result, he does not consider modernity as a historical entity but as an approach and an unfulfilled possibility in our relationship to the present, which has manifested and articulated itself in various sectors, branches, and disciplines of every period. Based on this understanding, Císař negotiates theories of modernism in his texts on contemporary art as well as on Mathias Poledna’s work.

Karel Císař and Mathias Poledna collaborated on the exhibitions Memories of the Future at Vaclav Spala Gallery in Prague (2009) and Figures and Prefigurations at City Gallery Prague (2013), both curated by Císař. For more than a decade, they have been in constant exchange.

In this lecture, Císař will explore Mathias Poledna’s career and artistic practice against the backdrop of the current exhibition, which can also be understood as a kind of retrospective.

Exhibition Page 

Artists

Participating artists

Karel Císař

(*1972 Prague, lives in Prague)

is professor and chair of the Department of Theory and History of Modern and Contemporary Art at the Academy of Art, Architecture and Design in Prague. He studied philosophy at Charles University in Prague (PhD, 2006) and at the University of Geneva. He has written articles for Camera Austria and Texte für Kunst as well as for numerous anthologies, most recently for Abstraction & Economy. Myths of Growth (Berlin: De Gruyter, 2024), edited by Eva Maria Stadler and Jenni Tischer.
 Curated exhibitions: Lucy McKenzie & Atelier E.B, Galerie Meyer Kainer, Vienna (2022), Sam Lewitt & Cheyney Thompson. Grids. Gradients. Drunken Walks, Brno House of Arts (2017), Christopher Williams. For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 14), with M. Škoda, House of Art, České Budějovice (2011).

Mathias Poledna

(*1965 Vienna, lives in Los Angeles)

Solo Exhibitions (Selection): Galerie Buchholz, Cologne (2022), Galerie Buchholz, New York (2020), The Renaissance Society, Chicago (2014), The Art Institute of Chicago (2014), 55. Bienniale di Venezia, Austrian Pavilion (2013), Secession, Vienna (2013), Galerie Buchholz, Berlin (2012), Raven Row
(2011), Portikus, Frankfurt am Main (2010), Galerie Meyer Kainer, Vienna (2010), New Museum of Contemporary Art, New York (2009), Bonner Kunstverein, Bonn (2009), Hammer Museum, Los Angeles (2007), Witte de With Center for Contemporary Art, Rotterdam (2006), Galerie Buchholz, Cologne (2006), Richard Telles Fine Art, Los Angeles (2005), Galerie Meyer Kainer, Vienna (2004), Mumok – Museum of Modern Art Foundation Ludwig Vienna (2003), Richard Telles Fine Art, Los Angeles (2002), Grazer Kunstverein (2001).

Group Exhibitions (Selection): Haubrok Foundation (2023), Made in L.A. Biennial, Hammer Museum / Huntington Museum, Los Angeles (2021), Mumok – Museum of Modern Art Foundation Ludwig Vienna (2021), Kunsthalle Bern (2020), Yuz Museum, Shanghai (2019), Liverpool Biennial (2018), Stedelijk Museum, Amsterdam (2018), Museum der Moderne, Salzburg (2017), Kunstverein Hamburg (2016), Sydney Biennial (2014), Busan Biennial (2012), Stedelijk Museum, Amsterdam (2012),Centro Andaluz de Arte Contemporáneo, Seville (2008), Haubrok Foundation (2011), Museu d’Art Contemporani de Barcelona (2010), Galerie Václava Spály, Prag (2009), Yokohama Triennale (2008), MOCA / The Geffen Contemporary, Los Angeles (2008), Sala Rekalde, Bilbao (2007), Whitney Biennial, Whitney Museum of American Art, New York (2006), Haus der Kunst, Munich (2005), Generali Foundation, Vienna (2005), Berlin Biennale, Kunstwerke Berlin (2004), Frankfurter Kunstverein (2003).

More contributions

Kathy Rae Huffman
FROM CYBERFEMINISM 
UNTIL NOW

Video

Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.

Kathy Rae Huffman 

Karin M. Schmidlechner 
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Video

In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called rubble woman.”

Karin M. Schmidlechner 

Eva Ursprung
The Art of Surfacing

Slide show

Eva Ursprung, _Dock_, 2026

With the exhibition The Art of Surfacing, HALLE FÜR KUNST Steiermark presents the multifaceted work of Austrian artist, musician, and curator Eva Ursprung, who was awarded the Honorary Prize of the Province of Styria in 2024. Her cross-media, feminist, and socially critical approaches revolve around the element of water as a metaphor for change and political and ecological processes.

Slide show Eva Ursprung

Susanne Wenger
Àdùnní Olórìṣà

Slide show

Susanne Wenger gilt als eine zentrale Künstlerin Österreichs nach 1945 und als frühe Wegbereiterin des Surrealismus. Ihr Œuvre, das Skulpturen, Gemälde, Zeichnungen, Drucke und Batiken umfasst, überschreitet ästhetische Kategorien und verbindet Kunst, Spiritualität und Mythos. 

Slide Show Susanne Wenger

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger