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Julia Hoydis
Extinction Narratives – Narratives of the (Im)possible Ends of our World

Video

Due to the acceleration of climate change, we are currently facing the threat of various species’ extinction, as a direct influence by human, and hence anthropogenic forces. In literature and other art forms, we increasingly find ideas and stories that respond to the interlinked crises of species extinction, biodiversity loss and climate change. Extinction is a complex phenomenon, not only scientific, but cultural too, and the way it is dealt with reflects prevailing ideas about the relationships between humans, animals and the (environment).

In her lecture, Julia Hoydis will explore how fictional narratives deal with hope, loss and end-time scenarios against the backdrop of endings and finiteness, which manifest itself through hope and acceptance, but also through resilience and solutions. Drawing on various media such as novels, plays, dance performances, films and video games as examples, she further investigates, how countermeasures such as de-extinction are depicted, for example through genetic engineering experiments and species protection. Prevailing narrative patterns, some of them dystopian or elegiac, are also taken into account.

In particular, Hoydis will discuss how literature can contribute to the socio-political debates on intergenerational and environmental justice. How can the potential of extinction narratives be utilized? She will also discuss how extinction narratives and their function as cultural models of (im)possible endings of our current world are always linked to predictions and values.

Exhibition Page

Artists

Participating artists

Univ.-Prof. Dr. phil. Julia Hoydis

*1979 Berlin, lives in Graz

has been Professor of English Literature from the 18th to the 21st century at the Department of English Studies at the University of Graz since 2024. She previously taught at the Universities of Klagenfurt, Cologne, Duisburg-Essen and Cambridge. Her research interests include the history and development of the English novel, narrative theory, literature and (natural) science (especially risk theory), posthumanism and recent digital narrative forms (including literature and AI), postcolonial studies, and ecocriticism/​environmental humanities. Her current research focuses on climate change narratives, including in the Austrian Science Fund FWF-funded joint project Just Futures? An Interdisciplinary Approach to Cultural Climate Models (2023 – 2026), which deals with questions of intergenerational justice and ideas of climate futures in various media.

Her book publications include Climate Change Literacy (with Roman Bartosch and Jens Martin Gurr, Cambridge University Press, 2023), Risk and the English Novel (De Gruyter, 2019) and Tackling the Morality of History: Amitav Ghosh and the Ethics of Storytelling (Winter, 2011). Since 2019, she has been editor of Anglistik: International Journal of English Studies and Vice President of the German Association for English Studies (2022 – 2025). In addition to her academic career, she holds a diploma in classical and modern stage dance (Rambert School of Ballet and Contemporary Dance, London, 2000), and also worked as a freelance dancer in Cologne and Aachen until 2016.

More contributions

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger

Diego Bianchi
Errores Irreales

Slide show

Diego Bianchi (*1969 Buenos Aires, lives in Buenos Aires) is considered one of Argentina’s leading artists and has, in particular, updated the concept of sculpture. For his installative and performative exhibition Errores Irreales at HALLE FÜR KUNST Steiermark, Bianchi has assembled a selection of his sculptures that play with the concept of the body.

Slide show Diego Bianchi

Celina Eceiza
Ofrenda

Slide show

Ofrenda [Offering] presents a way of inhabiting a space as if the architecture were a body, breathing erratically, changing states as you pass from one room to the next. The rigidity of the building collapses as the walls are draped in thousands of metres of fabric joined together through the collective and timeless action of sewing, until they form a single smooth surface, sensitive to the slightest change.

Slide show Celina Eceiza

Abaseh Mirvali
Artistic Director, viennacontemporary 

Video

The conversation between Abaseh Mirvali, director of viennacontemporary, and Sandro Droschl spans Diego Bianchi’s current exhibition and Celina Eceiza’s work in the context of Argentine art history to Mirvali’s many years of expertise and her international career. At the same time, her central role in the dynamic and innovative viennacontemporary 2025 was highlighted.

Abaseh Mirvali Talk

Morning Séance
alias Simone Borghi 

Video

Italian composer and sound artist Simone Borghi, alias Morning Séance, expands Celina Eceiza’s soft museum” in her exhibition Ofrenda at HALLE FÜR KUNST Steiermark with his atmospheric, constantly changing music, using his musical performance to enable visitors to experience physicality, space, and perception in new ways. 

Morning Séance alias Simone Borghi