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Stano Filko – Statement & Interview 
Hans Ulrich Obrist
with Roman Ondák & Koo Jeong A 

Video

The interview and statement is available in English language with subtitles

In an extensive interview between Stano Filko and curator Hans Ulrich Obrist central notions of artistic access are elaborated. The artist’s own voice will be heard during a studio visit to the legendary Atelier Snečienkova. Filko takes us on a personal tour through his life and work. An up-to-date statement by Obrist introduces us to the circumstances of the legendary talk of summer 2005 and tells more about the importance of the artist. Supported by the artists Roman Ondák, Koo Jeong A, Slovak National Gallery and Linea Foundation.

Artists

Participating artists

Hans Ulrich Obrist

*1968 Weinfelden, Swiss; lives in London and Zürich

is artistic director of the Serpentine Galleries in London, and Senior Advisor at LUMA in Arles. He is considered one of the most influential curators in the world and has curated over 300 exhibitions internationally, including at institutions such as Musée d’Art Moderne de la Ville de Paris; Kunsthalle Wien; Deichtorhallen Hamburg; and MoMA P.S.1, New York. Obrist lectures internationally at numerous academic and artistic institutions, writes for various art magazines, and advises Artforum, Flash Art, AnOther Magazine, and Cahiers D’Art. He has published numerous publications, including Ways of Curating (2014); Lives of the Artists, Lives of the Architects (2015); Mondialité or the Archipelagos of Edouard Glissant (2017); and the interview volume The Athens Dialogues (2018). He is also known for his interviews with artists, including an extensive conversation with Stano Filko.

Stano Filko

*1937 Veľká Hradná, †2015 in Bratislava

The artworks of Stano Filko (*1937 Velka Hradna, †2015 in Bratislava) have been on show in renowned institutions such as the Slovak National Gallery, Bratislava; the Kunstmuseum Basel; Lentos Kunstmuseum, Linz; Kunsthalle Bratislava; Zacheta – National Gallery of Art, Warsaw; National Museum, Krakow; Fondazione Morra Greco, Naples; ZKM Zentrum für Kunst und Medien, Karlsruhe; Ludwig Múzeum, Budapest; Garage Project Space, Moscow; The New Museum of Contemporary Art, New York; P.S.1, New York; MACBA, Barcelona; Centre Pompidou, Paris; mumok, Wien; Kröller-Müller Museum, Otterlo; státna galléria (State Gallery), Banská Bystrica; Musée d‘Art Moderne, Paris; and Moravská galerie, Brno. His work attracted international attention amongst others at the 11. Biennale de Lyon, the Prague Biennale 3, the 51. Biennale di Venezia, the Documenta 7 in Kassel and the EXPO in Osaka. Gallery Emanuel Layr presented the artist at Frieze Art Fair London and at Art Basel.

More contributions

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger

Diego Bianchi
Errores Irreales

Slide show

Diego Bianchi (*1969 Buenos Aires, lives in Buenos Aires) is considered one of Argentina’s leading artists and has, in particular, updated the concept of sculpture. For his installative and performative exhibition Errores Irreales at HALLE FÜR KUNST Steiermark, Bianchi has assembled a selection of his sculptures that play with the concept of the body.

Slide show Diego Bianchi

Celina Eceiza
Ofrenda

Slide show

Ofrenda [Offering] presents a way of inhabiting a space as if the architecture were a body, breathing erratically, changing states as you pass from one room to the next. The rigidity of the building collapses as the walls are draped in thousands of metres of fabric joined together through the collective and timeless action of sewing, until they form a single smooth surface, sensitive to the slightest change.

Slide show Celina Eceiza

Abaseh Mirvali
Artistic Director, viennacontemporary 

Video

The conversation between Abaseh Mirvali, director of viennacontemporary, and Sandro Droschl spans Diego Bianchi’s current exhibition and Celina Eceiza’s work in the context of Argentine art history to Mirvali’s many years of expertise and her international career. At the same time, her central role in the dynamic and innovative viennacontemporary 2025 was highlighted.

Abaseh Mirvali Talk

Morning Séance
alias Simone Borghi 

Video

Italian composer and sound artist Simone Borghi, alias Morning Séance, expands Celina Eceiza’s soft museum” in her exhibition Ofrenda at HALLE FÜR KUNST Steiermark with his atmospheric, constantly changing music, using his musical performance to enable visitors to experience physicality, space, and perception in new ways. 

Morning Séance alias Simone Borghi