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Future of Melancholia
Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)

Slide show

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Susanne Wenger, Icons of great sadness

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Susanne Wenger, Icons of great sadness

Photo: Bojana Janjić / MoCAB

Susanne Wenger, Icons of Great Sadness: Cinetic Performance, 1994

Oil painting, plywood; metal frame by Ajibike Ogunniyi
62 × 44 cm (76 × 62 × 4,5 cm framed)
Courtesy Susanne Wenger Foundation, Krems

Photo: Bojana Janjić / MoCAB

Susanne Wenger, Icons of Great Sadness: Walt Whitmans song for the Highway, 1994

Oil painting, plywood; metal frame by Ajibike Ogunniyi
62 × 36 cm (78 × 52 × 4,5 cm framed)
Courtesy Susanne Wenger Foundation, Krems

Photo: Bojana Janjić / MoCAB

Susanne Wenger, Icons of Great Sadness: The little hunn princess, 1993

Oil painting, plywood; metal frame by Ajibike Ogunniyi
45 × 46 cm (65 × 65 × 4,5 cm framed)
Courtesy Susanne Wenger Foundation, Krems

Photo: Bojana Janjić / MoCAB

Susanne Wenger, Icons of Great Sadness: Totemic Convergence, 1994

Oil painting, plywood; metal frame by Ajibike Ogunniyi
51 × 60 cm (72 × 77 × 4,5 cm framed)
Courtesy Susanne Wenger Foundation, Krems

Photo: Bojana Janjić / MoCAB

Susanne Wenger, Icons of Great Sadness: Totemic Convergence (Detail), 1994

Oil painting, plywood; metal frame by Ajibike Ogunniyi
51 × 60 cm (72 × 77 × 4,5 cm framed)
Courtesy Susanne Wenger Foundation, Krems

Photo: Bojana Janjić / MoCAB

Susanne Wenger, Icons of Great Sadness: Drowned and drunk in Homers red wine sea (Detail), 1994

Oil painting, plywood; metal frame by Ajibike Ogunniyi
33 × 61,5 cm (62 × 77 × 4,5 cm framed)
Courtesy Susanne Wenger Foundation, Krems

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Susanne Wenger, Traumgesichte (Dream Visions)

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Susanne Wenger, Traumgesichte (Dream Visions)

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Susanne Wenger, Traumgesichte (Dream Visions)

Photo: Bojana Janjić / MoCAB

Susanne Wenger, Traumgesichte: Der Wilde Stier (Dream Visions: Wild Bull), 1943 – 44

Colored pencil on paper
31 × 22 cm (51,5 × 41,5 × 5 cm framed)
Courtesy Susanne Wenger Foundation, Krems

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Schlechte Laune ohne Kiosk und Küche (Juliana) (Bad Mood Without a Kiosk and Kitchen (Juliana), 2020

Concrete, wood, pigment, paint
68 × 170 × 65 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Schlechte Laune ohne Kiosk und Küche (Juliana) (Bad Mood Without a Kiosk and Kitchen (Juliana) (Detail), 2020

Concrete, wood, pigment, paint
68 × 170 × 65 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

Katharina Höglinger, The tree in front of my house wears a baby doll, 2023

Oil on canvas
100 × 80 cm

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Katharina Höglinger

Photo: Bojana Janjić / MoCAB

Katharina Höglinger, Self-portrait with ear sound, 2022

Oil on canvas
24 × 18 cm

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)

Photo: Bojana Janjić / MoCAB

Klaus Schuster, O.T. (Untitled), 2020

Oil on canvas
50 × 70 cm

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Klaus Schuster

Photo: Bojana Janjić / MoCAB

Klaus Schuster, O.T. (Untitled), 2024

Oil and oil pastels on canvas
31 × 41 cm

Photo: Bojana Janjić / MoCAB

Klaus Schuster, O.T. (Untitled) (Detail), 2024

Oil and oil pastels on canvas
31 × 41 cm

Photo: Bojana Janjić / MoCAB

Klaus Schuster, O.T. (Untitled), 2023

Oil on canvas
41 × 51 cm

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Klaus Schuster

Photo: Bojana Janjić / MoCAB

Klaus Schuster, O.T. (Untitled), 2020

Oil on canvas
30 × 42 cm

Photo: Bojana Janjić / MoCAB

Klaus Schuster, O.T. (Untitled), 2020

Oil on canvas
30 × 42 cm

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Anna Schachinger

Photo: Bojana Janjić / MoCAB

Anna Schachinger, Halterinnen (Holders), 2022

Oil on linen
180 × 150 cm
Courtesy the artist and SOPHIE TAPPEINER, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Anna Schachinger, Party mit Hexe (Party with witch), 2022

Oil on linen
180 × 150 cm
Courtesy the artist and SOPHIE TAPPEINER, Vienna

Photo: kun​st​-doku​men​ta​tion​.com

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Ernst Yohji Jaeger

Photo: Bojana Janjić / MoCAB

Ernst Yohji Jaeger, Nigredo, 2024

Oil on canvas
48 × 30 cm
Courtesy the artist and Croy Nielsen, Vienna

Photo: Bojana Janjić / MoCAB

Ernst Yohji Jaeger, Untitled 1917, Study for an Angel / Tear through Time, 2024

Oil on canvas
80 × 70 cm (82723,5 cm framed)
Courtesy Mohamed Oeuida

Photo: Bojana Janjić / MoCAB

Ernst Yohji Jaeger, Rebis / 彼岸花, 2024

Oil on canvas
45 × 35 cm (47373,5 cm framed)
Courtesy private collection, Asia

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Nanna Kaiser

Photo: Bojana Janjić / MoCAB

Nanna Kaiser, Killing of a sacred deer (Porsche 911), 2023

Car interior, silkscreen, oil
90 × 100 cm

Photo: Bojana Janjić / MoCAB

Nanna Kaiser, Killing of a sacred deer (Porsche 911) (Detail), 2023

Car interior, silkscreen, oil
90 × 100 cm

Photo: Bojana Janjić / MoCAB

Nanna Kaiser, Killing of a sacred deer (Porsche 911) (Detail), 2023

Car interior, silkscreen, oil
90 × 100 cm

Photo: Bojana Janjić / MoCAB

Nanna Kaiser, Skinned sky utopian try (Bmw 230i Coupé), 2023

Oil on car interior
250 × 150 cm

Photo: Bojana Janjić / MoCAB

Nanna Kaiser, Skinned sky utopian try (Bmw 230i Coupé) (Detail), 2023

Oil on car interior
250 × 150 cm

Photo: Bojana Janjić / MoCAB

Nanna Kaiser, Skinned sky utopian try (Bmw 230i Coupé) (Detail), 2023

Oil on car interior
250 × 150 cm

Photo: Bojana Janjić / MoCAB

Nanna Kaiser, Skinned sky utopian try (Bmw 230i Coupé) (Detail), 2023

Oil on car interior
250 × 150 cm

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)

Photo: Bojana Janjić / MoCAB

Kamilla Bischof, Lambretta, 2020

Oil and spray paint on canvas
150 × 100 cm
Courtesy Meyer*Kainer, Vienna

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Lisa Slawitz

Photo: Bojana Janjić / MoCAB

Lisa Slawitz, Februar Portrait Inverse, 2023

Oil on high-density fiberboard
100 × 110 cm

Photo: Bojana Janjić / MoCAB

Lisa Slawitz, Engel (Angel), 2023

Oil on canvas
140 × 160 cm

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Summer, 2020

Wooden surface green/​orange, concrete, wood, pigment, paint
57 × 200 × 30 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Summer, 2020

Wooden surface green/​orange, concrete, wood, pigment, paint
57 × 200 × 30 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Summer (Detail), 2020

Wooden surface green/​orange, concrete, wood, pigment, paint
57 × 200 × 30 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)

Photo: Bojana Janjić / MoCAB

Matthias Noggler, Formation (Heads), 2023

Gouache on linen
81 × 90 cm
Courtesy private collection, Wolfgang Renner, Vienna

Photo: Bojana Janjić / MoCAB

Matthias Noggler, Not Window, Not Wall, 2024

Gouache and colored pencil on linen
161 × 165,5 cm
Courtesy private collection, Clemens Leopold, Berlin

Photo: Bojana Janjić / MoCAB

Future of Melancholia, 2025

Exhibition view, Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Museum of Contemporary Art, Belgrade (MoCAB)
Flora Hauser

Photo: Bojana Janjić / MoCAB

Flora Hauser, ChuChu-Moon, 2024

Acrylic fiber and cotton yarn sewn on canvas
42 × 42 cm
Courtesy Meyer*Kainer, Vienna

Photo: Bojana Janjić / MoCAB

Flora Hauser, Wrenkh1 – Schlürfen werden wir wohl dürfen (Wrenkh1 – We’ll be able to slurp), 2023

Acrylic fiber and cotton yarn sewn on canvas
25 × 20 cm
Courtesy Meyer*Kainer, Vienna

Photo: Bojana Janjić / MoCAB

Flora Hauser, Geburt der Sonne (Birth of the sun), 2024

Acrylic fiber and cotton yarn sewn on canvas
210 × 100 cm
Courtesy Meyer*Kainer, Vienna

Photo: Bojana Janjić / MoCAB

Flora Hauser, Geburt der Sonne (Birth of the sun) (Detail), 2024

Acrylic fiber and cotton yarn sewn on canvas
210 × 100 cm
Courtesy Meyer*Kainer, Vienna

Photo: Bojana Janjić / MoCAB

Flora Hauser, Geburt der Sonne (Birth of the sun) (Detail), 2024

Acrylic fiber and cotton yarn sewn on canvas
210 × 100 cm
Courtesy Meyer*Kainer, Vienna

Photo: Bojana Janjić / MoCAB

Lisa Slawitz, Signing Reality, flat (Detail), 2022

Mixed media on unprimed fabric
590 × 400 cm

Photo: Bojana Janjić / MoCAB

Lisa Slawitz, Signing Reality, flat (Detail), 2022

Mixed media on unprimed fabric
590 × 400 cm

Photo: Bojana Janjić / MoCAB

Lisa Slawitz, Signing Reality, flat (Detail), 2022

Mixed media on unprimed fabric
590 × 400 cm

Photo: Bojana Janjić / MoCAB

Lisa Slawitz, Signing Reality, flat (Detail), 2022

Mixed media on unprimed fabric
590 × 400 cm

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Schlechter Witz (II) (Bad joke (II)) (Detail), 2024

Cardboard, styrofoam, acrylic resin, pigments, metal
107 × 30 × 40 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Schlechter Witz (II) (Bad joke (II)) (Detail), 2024

Cardboard, styrofoam, acrylic resin, pigments, metal
107 × 30 × 40 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Schlechter Witz (II) (Bad joke (II)), 2024

Cardboard, styrofoam, acrylic resin, pigments, metal
107 × 30 × 40 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Hoop (Green), 2023

Cardboard, styrofoam, acrylic polymer, pigments, metal, wood
100 × 35 × 65 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Hoop (Green) (Detail), 2023

Cardboard, styrofoam, acrylic polymer, pigments, metal, wood
100 × 35 × 65 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Hoop (Green) (Detail), 2023

Cardboard, styrofoam, acrylic polymer, pigments, metal, wood
100 × 35 × 65 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

Maruša Sagadin, Hoop (Green) (Detail), 2023

Cardboard, styrofoam, acrylic polymer, pigments, metal, wood
100 × 35 × 65 cm
Courtesy the artist and Christine König Galerie, Vienna

Photo: Bojana Janjić / MoCAB

The exhibition Future of Melancholia at the Gallery-Legacy of the Museum of Contemporary Art in Belgrade presents a selection of contemporary Austrian artists alongside Susanne Wenger, the Graz-born pioneer of Surrealism, who also took part in the 60th Venice Biennale in 2023. The works of the contemporary artists reflect on the emotion of melancholy, and are shown in dialog works by Susanne Wenger. The exhibition takes place in a 1930s Yugo-modernist building, which today serves as part of the Museum of Contemporary Art in Belgrade and is located in a residential area on the outskirts of the city. While Wenger’s works on the first floor reflect various creative phases from her career, the artists on the upper floors explore melancholy, nostalgia and introspective themes that, can be understood as a response to regional and global developments, as well as certain art-historical interests. The exhibition encompasses a wide range of artistic forms of expression, from painting and sculpture to installation works that move between fantasy, emotional introspection, depictions of dream worlds, but also reflections of social realities.

Future of Melancholia is a cooperation between the Museum of Contemporary Art Belgrade and the HALLE FÜR KUNST Steiermark, supported by Austrian and Serbian cultural institutions, and contributes to artistic and inter-communicative understanding between the countries.


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