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Future of Melancholia in Belgrade
Katharina Höglinger, Anna Schachinger 

Video

The exhibition Future of Melancholia at the Gallery-Legacy of the Museum of Contemporary Art Belgrade presents a selection of contemporary Austrian artists alongside works by Graz pioneer of surrealism Susanne Wenger. The exhibition explores melancholy, nostalgia and surreal inner worlds as forms of artistic expression and responds to contemporary emotional and political contexts. Wenger, known for her speculative and surreal melancholic works, including Traumgesichte (1943 and 44) and Icons of Great Sadness (1990s), depicts hybrid, dreamlike, ghostly beings. The contemporary artists – including Flora Hauser, Ernst Yohji Jaeger, Matthias Noggler, Maruša Sagadin, Klaus Schuster and Lisa Slawitz – deal with similar themes in various media.

Anna Schachinger draws on concepts such as care, motherhood, and spaces intended exclusively for women, and emphasizes the relevance of the diversity of female bodies and interdependent relationships with the environment and more-than-human beings. Her works incorporate various surfaces such as ceramics, velvet or used fabrics, and are often conceived as installations. She treats her painting practice as a stage that, emerging from a queer-feminist discourse, allows body fragments and color surfaces to merge with each other in such a way that perspective, space and time seem to dissolve, creating non-linear stories.

The works of Katharina Höglinger takes up everyday experiences. She captures fleeting thoughts and interests directly on canvas or paper. To depict the complexity and ambiguity of thoughts, she shows overlapping, intertwined figures. Höglinger’s works seem to have fallen out of time and convey a deep melancholy, revealing an introspective examination of the uncertainty of our present. Despite the surreal, sometimes gloomy figures, her images radiate lightness and the courage to embrace imperfection.

In a joint discussion with Sandro Droschl, Katharina Höglinger and Anna Schachinger, who are both part of Future of Melancholia at the Gallery-Legacy of Milica Zorić & Rodoljub Čolaković Gallery at MoCAB Belgrade, they will discuss their practices and their specific contexts in more detail. This will be accompanied by a virtual tour of the Belgrade exhibition, placing it in relation to the Graz edition.

Exhibition Page

Artists

Participating artists

Katharina Höglinger

*1983, Rohrbach, Austria, lives in Vienna

Solo exhibitions (selection): SINK, Vienna (2023), Galerie Wonnerth Dejaco, Vienna (2022, 2020), Stanley’s Gallery, Los Angeles (2022), Kommod, Vienna (2021), EDITION: Verein für aktuelle Kunst und Kultur, Linz (2021), Galeria Quadrado Azul, Lisbon (2019), White Dwarf Projects, Vienna (2017), Degraw Social Club, New York (2017), Raumteiler, Vienna (2016).

Group exhibitions (selection): das weisse haus, Vienna (2024), Galerie Wonnerth Dejaco, Vienna (2024), Wien Museum musa (2023), Belvedere 21, Vienna (2023, 2019), Kunstverein Eisenstadt (2023), Zina Gallery, Cluj-Napoca, Romania (2023), Galerie Zimmermann Kratochwill, Graz (2022), Harkawik Gallery, New York (2022), Supermala, Madrid (2020), MAUVE, Vienna (2019, 2017), Royal Academy of Art, London (2019).

Anna Schachinger

*1990, Vienna, grew up in India, Nicaragua and Austria, lives in Vienna

Solo exhibitions (selection): Sophie Tappeiner, Vienna (2024, 2022, 2020), MQ Art Box, Vienna (2023), Encounter Contemporary, Lisbon (2023), Lumiar Cité, Lisbon (2022), ENCIMA by Galeria Madragoa, Lisbon (2019), Brennan & Griffin, New York (2018), Fourteen30 Contemporary, Portland (2018), Lulu, Mexico City (2017), fAN Kunstverein, Vienna (2016), Kunstfabrik Großsiegharts, Austria (2015), UBIK Space, Vienna (2015).

Group exhibitions (selection): Wien Museum musa, Vienna (2024), NEVVEN Gallery, Bologna (2024), Galeria Madragoa, Lisbon (2024), Museo National do Azulejo, Lisbon (2023), Salzburger Kunstverein (2023), Belvedere 21, Vienna (2022, 2021), Chris Sharp Gallery, Los Angeles (2022), Galeria Quadrum / Avenida da Índia Gallery, Lisbon (2021), Galerie Rolando Anselmi, Rome (2021), X Museum, Beijing (2021), Left Field Gallery, Los Osos Valley, California (2021), STANDARD (OSLO), Oslo (2021), Palais de Tokyo, Paris (2019), Fourteen30 Contemporary, Portland (2019), La Maison de Rendez-Vous, Brussels (2019).

More contributions

Vanessa Joan Müller, Evelyn Plaschg
Conversation 

Video

The book presentation accompanying Evelyn Plaschg’s exhibition Viscous City features a conversation between Vanessa Joan Müller, Sandro Droschl, and the artist herself. Müller’s essay Ansichten des Unbestimmten (Views of the Indefinite) describes Plaschg’s painting as a poetic-analytical reflection on the body, pictorial space, and urban experience, inviting an in-depth exchange on image, text, and perception.

Viscous City: Evelyn Plaschg, Vanessa Joan Müller

Evelyn Plaschg
Concert

Video

The video shows an excerpt from Evelyn Plaschg’s concert, which she presented as part of her exhibition Viscous City at HALLE FÜR KUNST Steiermark. The artist’s sound performance enters into dialogue with her paintings on display.

Evelyn Plaschg concert

Evelyn Plaschg
Viscous City

Slide show

Evelyn Plaschg combines sophisticated technique and her own idiosyncratic imagery to produce a kind of painting that is figurative in ways that transcend all standard approaches.

Viscous City

Louise Giovanelli
A Song of Ascents

Slide show

Louise Giovanelli paints striking hypnotic works that emit light both on a visual and metaphorical level. Her works often show mysterious objects, such as a closed curtain, a glimmering shock of hair, or the reflecting surface of a cocktail glass. There are also human figures, often women, seemingly caught in moments between awe and desperation, or about to cross over a border of experience and knowledge.

A Song of Ascents

Evelyn Plaschg
Artist Talk 

Video

Together, artist Evelyn Plaschg and curator Jan Tappe will speak about the process of painting, shifts within the artist’s practice, the role of photography as a point of departure, the presence of the body in the image, and a growing interest in urban spaces and infrastructures.

Evelyn Plaschg