Exhibition Tour: Steal, Kill and Destroy: A Thief Who Intended Them Maximum Harm
Doreen Garner
Video
Please note that this video is available in English.
Besides the exhibition of Kevin Jerome Everson there are on the second exhibition level sculptural works by Doreen Garner, a young New York artist of African origin. The works are visually very expressive, Garner combines countless different materials such as silicone, beads, crystals, hair and fluorescent tubes. The artist’s works are reminiscent of injured bodies and pieces of flesh and address a dark chapter in American history. Garner points to traumatic events and injustices done to black bodies in the medical field. Especially in the 18th and 19th centuries, the bodies of African slaves were violated and abused by medicine in the name of progress. Garner makes us painfully aware of the effects of colonialism and racism and shows how they are evident in American history.
Curator:
Cathrin Mayer
Texts:
Cathrin Mayer
Translation:
Gregory Bond
Voice:
Howard Curtis
Camera & Sound:
kunst-dokumentation.com, Manuel Carreon Lopez
Editor:
Kevin Ferdinandus
Artists
Participating artists
Doreen Garner
studied at the Tyler School of Art at Temple University in Philadelphia and at the Rhode Island School of Design in Providence.
Garner’s work has been presented at MoMA PS1, New York; The National Museum of African American History, Washington; and Pioneer Works, New York, among others. Garner has held residencies and fellowships at Recess Art, New York; the International Studio and Curatorial Program, Socrates Sculpture Park, New York; Pioneer Works, New York and the Skowhegan School of Painting and Sculpture, Madison. She is a licensed tattoo artist.
More contributions
Kathy Rae Huffman
FROM CYBERFEMINISM
UNTIL NOW
Video
Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.
Kathy Rae Huffman Karin M. Schmidlechner
Styrian women during and after National Socialism
Video
In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called “rubble woman.”
Karin M. Schmidlechner Eva Ursprung
The Art of Surfacing
Slide show
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Slide show Eva Ursprung Susanne Wenger
Àdùnní Olórìṣà
Slide show
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Slide Show Susanne Wenger Tobias Boos
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Video
Tobias Boos is political scientist at the University of Vienna who specializes in Latin America, populism, and economic developments, such as Argentina’s crisis since the 2000s and current right-wing populist movements like that led by Javier Milei.
Tobias Boos Exhibition Tour
Diego Bianchi: Errores Irreales
Video
Diego Bianchi’s immersive sculptural installations reinterpret the concepts of sculpture and of the torso, taking seriously the sensitivity and distress of the human body as subjected to manifold pressures, and expanding and updating its forms of expression.
Exhibition Tour Diego Bianchi Exhibition Tour
Celina Eceiza: Ofrenda
Video
A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity.
Ausstellungsrundgang Celina Eceiza Annemarie Arzberger
dreamed awake
Slide show
For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.
Slide Show Annemarie Arzberger