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Exhibition Tour: Steal, Kill and Destroy: A Thief Who Intended Them Maximum Harm
Doreen Garner 

Video

Please note that this video is available in English.

Besides the exhibition of Kevin Jerome Everson there are on the second exhibition level sculptural works by Doreen Garner, a young New York artist of African origin. The works are visually very expressive, Garner combines countless different materials such as silicone, beads, crystals, hair and fluorescent tubes. The artist’s works are reminiscent of injured bodies and pieces of flesh and address a dark chapter in American history. Garner points to traumatic events and injustices done to black bodies in the medical field. Especially in the 18th and 19th centuries, the bodies of African slaves were violated and abused by medicine in the name of progress. Garner makes us painfully aware of the effects of colonialism and racism and shows how they are evident in American history. 

Curator:
Cathrin Mayer

Texts:
Cathrin Mayer

Translation:
Gregory Bond

Voice:
Howard Curtis

Camera & Sound:
kun​st​-doku​men​ta​tion​.com, Manuel Carreon Lopez

Editor:
Kevin Ferdinandus

Artists

Participating artists

Doreen Garner

*1986 Philadelphia, lives in New York

studied at the Tyler School of Art at Temple University in Philadelphia and at the Rhode Island School of Design in Providence.

Garner’s work has been presented at MoMA PS1, New York; The National Museum of African American History, Washington; and Pioneer Works, New York, among others. Garner has held residencies and fellowships at Recess Art, New York; the International Studio and Curatorial Program, Socrates Sculpture Park, New York; Pioneer Works, New York and the Skowhegan School of Painting and Sculpture, Madison. She is a licensed tattoo artist.
 

More contributions

Vanessa Joan Müller, Evelyn Plaschg
Conversation 

Video

The book presentation accompanying Evelyn Plaschg’s exhibition Viscous City features a conversation between Vanessa Joan Müller, Sandro Droschl, and the artist herself. Müller’s essay Ansichten des Unbestimmten (Views of the Indefinite) describes Plaschg’s painting as a poetic-analytical reflection on the body, pictorial space, and urban experience, inviting an in-depth exchange on image, text, and perception.

Viscous City: Evelyn Plaschg, Vanessa Joan Müller

Evelyn Plaschg
Concert

Video

The video shows an excerpt from Evelyn Plaschg’s concert, which she presented as part of her exhibition Viscous City at HALLE FÜR KUNST Steiermark. The artist’s sound performance enters into dialogue with her paintings on display.

Evelyn Plaschg concert

Evelyn Plaschg
Viscous City

Slide show

Evelyn Plaschg combines sophisticated technique and her own idiosyncratic imagery to produce a kind of painting that is figurative in ways that transcend all standard approaches.

Viscous City

Louise Giovanelli
A Song of Ascents

Slide show

Louise Giovanelli paints striking hypnotic works that emit light both on a visual and metaphorical level. Her works often show mysterious objects, such as a closed curtain, a glimmering shock of hair, or the reflecting surface of a cocktail glass. There are also human figures, often women, seemingly caught in moments between awe and desperation, or about to cross over a border of experience and knowledge.

A Song of Ascents

Evelyn Plaschg
Artist Talk 

Video

Together, artist Evelyn Plaschg and curator Jan Tappe will speak about the process of painting, shifts within the artist’s practice, the role of photography as a point of departure, the presence of the body in the image, and a growing interest in urban spaces and infrastructures.

Evelyn Plaschg