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Exhibition Tour
Caroline Mesquita: Verdet Bath

Video

Curated by Jan Tappe

Text: Caro Feistritzer 

Translation: Bryony Dawson, Caro Feistritzer

Camera & Sound:
kun​st​-doku​men​ta​tion​.com, Manuel Carreon Lopez

Editing: Fabian Edelbacher 

Exhibition Page

Artists

Participating artists

Caroline Mesquita

*1989, Brest, lives in Marseille

Solo exhibitions (selection): T293, Rom (2024, 2022, 2017), HAB Gallery, Nantes (2024), Bourse du travail Centre d’art, Valence (2023), Villa Medicis, Rome (2023), Le Parvis Centre d’Art contemporain, Tarbes (2022), CAN, Centre d’art Neuchâtel (2022), Blaffer Art Museum, Houston (2021), Statement, Art Basel, with Union Pacific (2021), Pivô, São Paulo (2020), Passerelle Centre d’art contemporain, Brest (2020), carlier / gebauer, Berlin (2019, 2015), Fondazione Arnoldo Pomodoro, Milan (2019), Galeria Municipal de Porto (2019), Kunsthalle Lissabon, Lisbon (2018), Prix Fondation d’entreprise Ricard, Centre Pompidou, MAM, Paris (2018), SALTS, Basel (2017), 221A, Vancouver (2017), Kunstverein Langenhagen (2016), MOT International, Brussels (2016), SpazioA, Pistoia (2015), Union Pacific, London (2015).

Group exhibitions (selection): Contemporaine de Nîmes (with Laure Prouvost) (2024), Mucem, Marseille (2022), Fondation Vasarely, Aix-en-Provence (2022), Museo de Arte de Zapopan, Guadalajara (2021), Palais de Tokyo, Paris (2019, 2012), Folkwang Museum, Essen (2019), Bonniers Konsthall, Stockholm (2019), Schirn Kunsthalle, Frankfurt am Main (2019), Parcours Art Basel (2018), La Loge, Brussels (2018), Fondation Ricard, Paris (2017, 2015, 2013), Sans Titre, Paris (2017), The Astrup Fearnley Museet, Oslo (2014).

More contributions

Kathy Rae Huffman
FROM CYBERFEMINISM 
UNTIL NOW

Video

Kathy Rae Huffman’s lecture traces the evolution of cyberfeminism since the 1990s: it connected women in the digital sphere, challenged existing power structures, and presented examples — from VNS Matrix to contemporary digital activism — that highlight critiques of platform corporations, AI cultures, and global inequalities.

Kathy Rae Huffman 

Karin M. Schmidlechner 
Styrian women during and after National Socialism

Video

In her research and in the volume Aus dem Blickfeld (Out of Sight), co-edited with Heimo Halbrainer, Karin Maria Schmidlechner demonstrates that the lived realities of Styrian women during the Nazi era and the postwar period were diverse and ambivalent. Hence, she broadens the scholarly discourse on their daily lives while simultaneously deconstructing common narratives such as that of the conformist woman or the so-called rubble woman.”

Karin M. Schmidlechner 

Eva Ursprung
The Art of Surfacing

Slide show

Eva Ursprung, _Dock_, 2026

With the exhibition The Art of Surfacing, HALLE FÜR KUNST Steiermark presents the multifaceted work of Austrian artist, musician, and curator Eva Ursprung, who was awarded the Honorary Prize of the Province of Styria in 2024. Her cross-media, feminist, and socially critical approaches revolve around the element of water as a metaphor for change and political and ecological processes.

Slide show Eva Ursprung

Susanne Wenger
Àdùnní Olórìṣà

Slide show

Susanne Wenger gilt als eine zentrale Künstlerin Österreichs nach 1945 und als frühe Wegbereiterin des Surrealismus. Ihr Œuvre, das Skulpturen, Gemälde, Zeichnungen, Drucke und Batiken umfasst, überschreitet ästhetische Kategorien und verbindet Kunst, Spiritualität und Mythos. 

Slide Show Susanne Wenger

Exhibition Tour
Celina Eceiza: Ofrenda

Video

A metabolic force governs the growth of Celina Eceiza’s work, which involves textile collages, sculptures, paintings and drawings — both tiny and colossal in scale — as laborious as they are elementary. The artist combines handcrafted textile techniques and processes such as patchwork, found object collages and, more recently, chalk pastels, which give her images a new sense of fluidity. 

Ausstellungsrundgang Celina Eceiza

Annemarie Arzberger
dreamed awake

Slide show

For HALLE FÜR KUNST Steiermark the artist has developed her first own performative presentation, with a setting for her puppets with three scenes set in an imaginary spaceship, an exhibition, and the spaces that the scenes depict: the Schlouflaboar, the Houloudecks, and the Space Grotto Disco. The piece is a combination of physical theater and puppetry, performed by the artist together with her sister Katharina Arzberger and accompanied by musical interludes arranged by Manuel Obriejtan.

Slide Show Annemarie Arzberger